Skip to main content

László Moholy-Nagy at the London Zoo: Animal Enclosures and the Unleashed Camera

  • Chapter
  • First Online:
The Zoo and Screen Media

Part of the book series: Screening Spaces ((SCSP))

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 84.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

  • Allan, J. (2012), Berthold Lubetkin: Architecture and the Tradition of Progress (London: Artifice)

    Google Scholar 

  • Anker, P. (2005), ‘The Bauhaus of Nature’, Modernism/Modernity Vol. 12 no. 2, pp. 229–251

    Google Scholar 

  • Architect and Building News (1934), ‘The New Penguin Pool in the Zoological Gardens, London’, No. 133, pp. 254–5

    Google Scholar 

  • Architectural Review (1934), ‘The Penguin Pool in the Zoo’, No. 76, pp. 17–19

    Google Scholar 

  • Ashford, D. (2011), ‘Gorillas in the House of Light’, The Cambridge Quarterly Vol. 40 no. 3, 201–223

    Article  Google Scholar 

  • Berger, J., (2009 [1977]), ‘Why Look at Animals?’, Why Look at Animals? (London: Penguin), pp. 12–37

    Google Scholar 

  • Borchardt-Hume, A. (2006), ‘Two Bauhaus Histories’, in A. Borchardt-Hume (ed.), Albers and Moholy-Nagy: From the Bauhaus to the New World (London: Tate), pp. 66–78

    Google Scholar 

  • Botar, O. A. I. (2004), ‘László Moholy-Nagy’s New Vision and the Aestheticization of Scientific Photography in Weimar Germany’, Science in Context Vol. 17 no. 4, pp. 525–556

    Google Scholar 

  • Botar, O. (2008), ‘Films by Moholy-Nagy’, Journal of the Society of Architectural HistoriansVol. 67 no. 3, pp. 460–2

    Article  Google Scholar 

  • Brightwell, L. R. (1936), The Zoo You Knew? (Oxford: Basil Blackwell)

    Google Scholar 

  • Burt, J. (2002), ‘Violent Health and the Moving Image: The London Zoo and Monkey Hill’, in M. Henninger-Voss (ed.), Animals in Human History: the Mirror of Nature and Culture (Rochester, NY: Rochester University Press), pp. 258–292

    Google Scholar 

  • Cain, J. (2010), ‘Julian Huxley, General Biology and the London Zoo, 1935–42’, Notes and Records of the Royal Society Vol. 64 no. 4, pp. 359–78

    Article  Google Scholar 

  • Carter (née Fantl), E. (1974), With Tongue in Chic (London: Michael Joseph)

    Google Scholar 

  • Daily Mail (1935), ‘Picture Gallery: The Penguins on Parade’, 28 December, p. 16

    Google Scholar 

  • Daily Mail (1936), ‘George, the Children’s Favourite’, 14 September, p. 4

    Google Scholar 

  • Daily Mirror (1934), ‘15 O’clock is Feeding Time’, 26 May, p. 13

    Google Scholar 

  • Daily Telegraph (1933), ‘New Home for Mok & Moina’, 29 April

    Google Scholar 

  • Gott, T. and K. Weir (2013), Gorilla (London: Reaktion)

    Google Scholar 

  • Gruffudd, P. (2000), ‘Biological Cultivation: Lubetkin’s Modernism at London Zoo in the 1930s’, in C. Philo and C. Wilbert (eds.), Animals Spaces, Beastly Places: New Geographies of Animal-Human Relations (London: Routledge), pp. 223–241

    Google Scholar 

  • Hight, E. M. (1995), Picturing Modernism: Moholy-Nagy and Photography in Weimar Germany (Cambridge, MA: MIT Press)

    Google Scholar 

  • Hitchcock, H.-R. (1937), ‘Modern Architecture in England’, in MoMa (ed.), Modern Architecture in England (New York: MoMA)

    Google Scholar 

  • Huxley, J. (1934), Scientific Research and Social Needs (London: Watts & Co.)

    Google Scholar 

  • Huxley, J. (1936), ‘The Wonderland of the Zoo’, Daily Mail, 2 January, p. 8

    Google Scholar 

  • Illustrated London News (1934), ‘A “Blue-water School” of Penguins: the New “Zoo” Pond’, 30 June, p. 1061

    Google Scholar 

  • Martin, S. (2009), Penguin (London: Reaktion)

    Google Scholar 

  • Moholy-Nagy, L., (1970 [1922]), ‘Constructivism and the Proletariat’, in R. Kostelanetz (ed.), Moholy-Nagy: an Anthology (New York: Da Capo), pp. 185–6

    Google Scholar 

  • Moholy-Nagy, L. (1923), ‘Light: a Medium of Plastic Expression’, Broom Vol. 4 no. 4, pp. 283–4

    Google Scholar 

  • Moholy-Nagy, L. (1969 [1927]), Painting, Photography, Film (London: Lund Humphries)

    Google Scholar 

  • Moholy-Nagy, L. (2011 [1932]), ‘A New Instrument of Vision’, in K. Gruber and O. A. I. Botar (eds.), Telehor (Baden: Lars Mueller), pp. 34–6

    Google Scholar 

  • Moholy-Nagy, L. (2011 [1934]), ‘From Pigment to Light’, in K. Gruber and O. A. I. Botar (eds.), Telehor (Baden: Lars Mueller), pp. 32–4

    Google Scholar 

  • Moholy-Nagy, L. (1936a), ‘Photographers of Today’ (contribution), in C. G. Holme (ed.), Modern Photography: the Studio Annual of Camera Art, 1935–1936 (London: The Studio), p. 18

    Google Scholar 

  • Moholy-Nagy, L. (1936b), ‘Subject Without Art’, The Studio Vol. 112 no. 524, 259

    Google Scholar 

  • Moholy-Nagy, L. (1937), ‘Paths to the Unleashed Colour Camera’, Penrose Annual, 1937, pp. 25–8

    Google Scholar 

  • Moholy-Nagy, L. (1947), The New Vision, and Abstract of an Artist (New York: George Wittenborn)

    Google Scholar 

  • Mumford, L. (1937), ‘The Sky Line: Penguins and Architects’, New Yorker, 6 March, p. 59

    Google Scholar 

  • Museum of Modern Art (MoMA), (1937), Press Release, 16 February; available from: https://www.moma.org/learn/resources/press_archives/1930s/1937

  • Pichler, F. (2005), ‘The Contribution of Raoul H. Francé: Biocentric Modelling’, in P. Weibel (ed.), Beyond Art: A Third Culture: A Comparative Study in Cultures, Art and Science in Twentieth-century Austria and Hungary (New York: Springer), pp. 371–375

    Google Scholar 

  • Powers, A. (2013), ‘Exhibition 58: Modern Architecture in England, Museum of Modern Art, 1937’, Architectural History No. 56, pp. 277–298

    Google Scholar 

  • Nelson, A. (2006), ‘László Moholy-Nagy and Painting Photography Film: A Guide to Narrative Montage’, History of Photography Vol. 30 no. 3, pp. 258–69

    Google Scholar 

  • Senter, T. (1975), ‘Moholy-Nagy in England: May 1935-July 1937’, unpublished MPhil, University of Nottingham.

    Google Scholar 

  • Senter, T. (2006), ‘Moholy-Nagy: the Transitional Years’, in A. Borchardt-Hume (ed.), Albers and Moholy-Nagy: From the Bauhaus to the New World (London: Tate), pp. 85–91

    Google Scholar 

  • Steiner, H. A. (2003), ‘For the Birds’, Grey Room No. 13, pp. 5–31

    Google Scholar 

  • Stetler, P. (2008), ‘“The New Literature”: László Moholy-Nagy’s Painting, Photography, Film’, Grey Area No. 32, pp. 88–113

    Google Scholar 

  • Times, The (1932), ‘New Gorilla House’, 31 December, p. 5

    Google Scholar 

  • Times, The (1933), ‘Mok and Moina Move In’, 29 April, p. 11

    Google Scholar 

Films

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Copyright information

© 2016 The Author(s)

About this chapter

Cite this chapter

Hornsey, R. (2016). László Moholy-Nagy at the London Zoo: Animal Enclosures and the Unleashed Camera. In: Lawrence, M., Lury, K. (eds) The Zoo and Screen Media. Screening Spaces. Palgrave Macmillan, New York. https://doi.org/10.1057/978-1-137-53561-0_11

Download citation

Publish with us

Policies and ethics