Abstract
Nodals of Hamletspace, which is itself a subset of Shakespace, have laminated across history. They emerge within streams of Hamletspace as its component parts invade, envelop, and then play as processual amalgamations of becomings- and comings-to-be-different from quotidian-consciousness and its commonplace context. The headspace of Hamlet is potentially both a superset and a subset of Hamletspace and Shakespace.
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Kolodezh, S., Reynolds, B. (2017). For the Love of Hamlet’s Headspace: Noodling with Deleuze, Thomas Ostermeier’s Nodals, and Allo-Realism. In: Intermedial Theater. Palgrave Studies in Performance and Technology. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-50838-6_7
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DOI: https://doi.org/10.1057/978-1-137-50838-6_7
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