Abstract
Continuing to address Pulitzer winners, this chapter asserts a growing trend during the past thirty years toward canonizing plays that portray age as performative. Plays scrutinized in this chapter include Edward Albee’s Three Tall Women (1991), Alfred Uhry’s Driving Miss Daisy (1987), Donald Margulies’ Dinner with Friends (1998), and Doug Wright’s I Am My Own Wife (2003). Once again, these contemporary plays foreground age by directing actors to perform different ages quickly, without any overt physical changes. The texts share a consideration of multiplicity in identity construction, but this chapter illustrates the wide range and many dimensions of age performance being realized in the contemporary canon.
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© 2016 The Editor(s) (if applicable) and The Author(s)
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Lipscomb, V.B. (2016). The Continuum of Age: Performing Identity over the Life Course. In: Performing Age in Modern Drama. Palgrave Macmillan, New York. https://doi.org/10.1057/978-1-137-50169-1_5
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DOI: https://doi.org/10.1057/978-1-137-50169-1_5
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Publisher Name: Palgrave Macmillan, New York
Print ISBN: 978-1-137-51251-2
Online ISBN: 978-1-137-50169-1
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