Adapting the Non-adaptable: Rimini Protokoll’s Das Kapital and Mein Kampf

Abstract

This chapter focuses on the boundaries of what may be considered suitable for stage adaptation at a given time. Das Kapital and Mein Kampf are among the least likely candidates for dramatization, yet Rimini Protokoll’s adaptations have led to well-received performances and radio adaptations. All versions feature non-professional performers, thus blurring the boundaries between real and performed experience, and the company creates productions with ‘found’ stories by found ‘actors’ around a pre-established topic. Striving for authenticity instead of having performers act out an arbitrary text written by an arbitrary author, Rimini Protokoll privilege connotation rather than re-enactment; and as the chapter argues, use. Precursors as research material to generate devised pieces that juxtapose analysis and personal responses, thus addressing contemporary merit, reach and relevance.