Abstract
This chapter investigates three ways in which Norway has contributed to shaping the play’s production history. The first pattern maps the touring trajectories of the early Nordic Noras, who created a major interpretative tradition. The second shows the regional and global flows of Nordic artists and productions from 1914 to 1990. Unbroken artistic networks of artists link these tours back to the premiere of the play in 1879: this degree of artistic interconnection is unprecedented in the study of a single play. The third group of patterns comes from maps showing the post-1990 global distribution of the play. These touring circuits are extensive and have been developed through a series of initiatives put in place by the Norwegian government.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Bibliography
Armand, Gisken. 2011. Interview with Julie Holledge and Frode Helland. May 25. Archived at Centre for Ibsen Studies, University of Oslo.
Blanc, Tharald. 1899. Christiania Theaters Historie 1827–1877. Christiania: Cappelen.
– – –. 1906. Henrik Ibsen og Christiania Theater 1850–1899. Kristiania: Dybwad.
Bøgh, Erik. (1879) 1980. “Udvalgte Feuilletoner (‘Dit og Dat’)” [Selected Serials (“This and That”)]. In Gyldendalske Boghandels Forlag. Copenhagen: F. Hegel & Søn.
Bruni, Frank. 2002. “A Nation That Exports Oil, Herring and Peace.” New York Times, December 21. Accessed December 21, 2015. http://www.nytimes.com/2002/12/21/world/a-nation-that-exports-oil-herring-and-peace.html.
Caretti, Laura. 2002. “Ibsen and Raphael.” In Ibsen and the Arts: Painting-Sculpture-Architecture, Acta Ibseniana I, edited by Astrid Sæther, 81-89. Oslo: Centre for Ibsen Studies.
Casanova, Pascale. 2004. The World Republic of Letters. Translated by M.B. Debovoise. Cambridge, MA: Harvard University Press.
Catalogue du pavillion de la Norvège à l'exposition internationale de Paris 1937. 1937. Oslo: Blix.
Christiania Intelligentssedler (Dagens Nyheter). 1885. May 24.
Debray, Régis. 2004. Transmitting Culture. New York: Columbia University Press.
DECO. 2011. “Consultants.” DECO. Accessed November 30, 2015. http://www.deco.no/.
“Director-General Condemns Killing of Norwegian Reporter Carsten Thomassen in Kabul Hotel.” 2008. UNESCO News Archive. January 22. Accessed November 30, 2015. http://portal.unesco.org/ci/en/ev.php-URL_ID=25816&URL_DO=DO_TOPIC&URL_SECTION=201.html.
Ekman, Paul. 2003. Emotions Revealed: Recognizing Faces and Feelings to Improve Communication and Emotional Life. 2nd ed. London: Weidenfeld & Nicolson.
Hansen, Harald. 1888. “Kristiania Teater 1837–87.” Tilskueren, (Kbh) 5: 71-96.
Ibsen Awards. 2015. “Winners of International Ibsen Scholarships.” Ibsen Award. Accessed August 26. http://www.ibsenawards.com/scholarship/winners.
Ibsen International. 2010. “About.” Ibsen International. Accessed November 30, 2015. www.ibseninternational.com/about.
Ibsen, Henrik. (1851) 2010. Review of “‘Huldrens Hjem,’ Originalt Skuespil i tre Akter med Sange og Chor” (“‘The Wood-Nymph’s Home,’ Original Play in Three Acts with Songs and Choir”). In Manden/Andhrimner. June 22. In vol. 16 of Henrik Ibsens skrifter, 78-83. Oslo: University of Oslo and Aschehoug.
International Ibsen Award. 2015. “About the International Ibsen Award.” International Ibsen Award. Accessed November 30. www.internationalibsenaward.com/about.
McFarlane, James. 1993. “Norwegian Literature 1860-1910.” In A History of Norwegian Literature, edited by Harald S. Naess, 107-99. Lincoln, NE: University of Nebraska Press.
National Library of Norway. 2015. “Ibsen Repertoire Database.” National Library of Norway. Accessed November 17. http://ibsen.nb.no/id/110728.0.
Nationaltheatret. 2010. International Ibsen Festival Programme 2010. Oslo: Nationaltheatret.
Nye, Jr., Joseph S. 2004. Soft Power: The Means to Success in World Politics. New York: Public Affairs.
Østbye, Marit. 2011. Interview with Julie Holledge and Frode Helland. May 27. Archived at Centre for Ibsen Studies, University of Oslo.
Quinn, Bernadette. 2010. “Arts Festivals, Urban Tourism and Cultural Policy.” Journal of Policy Research in Tourism, Leisure and Events 2 (3): 264-79.
Review of Et dukkehjem at Christiania Theater. 1880. Dagbladet, Kristiania, 12 (17), January 21.
Review of Et dukkehjem. 1885. Aftenposten, Kristiania. May 23. Press clipping held in Centre for Ibsen Studies, University of Oslo.
Review of Et dukkehjem. 1885. Dagbladet, Kristiania. May 24. Press clipping held in Centre for Ibsen Studies, University of Oslo.
Ringdal, Nils Johan. 2000. Nationaltheatrets historie 1899–1999. Oslo: Gyldendal.
Riordan, Shaun. 2005. “Dialogue-based Public Diplomacy: A New Foreign Policy Paradigm?” In The New Public Diplomacy: Soft Power in International Relations, edited by Jan Melissen, 180-95. Houndmills: Palgrave Macmillan.
Roger, Edith, Joachim Calmeyer, and Espen Skjønberg. 2011. Interview with Julie Holledge and Frode Helland. May 26. Archived at Centre for Ibsen Studies, University of Oslo.
Schmiesing, Ann. 2006. Norway’s Christiania Theatre, 1827–1867. Madison, NJ: Farleigh Dickinson University Press.
Støre, Jonas Gahr. 2006. “Ibsen’s Calling Is to Ask Questions, Not to Give Answers.” Dagbladet. January 28. Accessed December 21, 2015. https://www.regjeringen.no/en/aktuelt/ibsens-calling-is-to-ask-questions-not-t/id420835/.
Sunde, Vivi. 2011. Interview with Julie Holledge and Frode Helland. May 24. Archived at Centre for Ibsen Studies, University of Oslo.
Synnøve Berg, Marit. 2011. Interview with Julie Holledge and Frode Helland. March 26. Archived at Centre for Ibsen Studies, University of Oslo.
Tandberg, Monna. 2011. Interview with Julie Holledge and Frode Helland. May 27. Archived at Centre for Ibsen Studies, University of Oslo.
Thorkildsen, Inga Marte. 2008. Nora’s Sisters Seminar, Ramallah, March 8-9. Accessed August 25, 2015. http://www.norway.org.ps/ARKIV/Nora_Sisters/#.VdvuZ3gVfzI.
Tømta, Hanne. 2015. Interview with Julie Holledge. October 16.
Uthaug, Gro Ann. 2011. Interview with Julie Holledge and Frode Helland. May 23. Archived at Centre for Ibsen Studies, University of Oslo.
Waal, Carla Rae. 1967. Johanne Dybwad: Norwegian Actress. Oslo: Universitetsforlaget.
Zaman, Niaz, and Sadrul Amin, eds. 2006. “Centennial Essays on Ibsen.” Dhaka: Department of English, University of Dhaka, Mother Printers.
Author information
Authors and Affiliations
Copyright information
© 2016 The Author(s)
About this chapter
Cite this chapter
Holledge, J., Bollen, J., Helland, F., Tompkins, J. (2016). ‘Peddling’ Et dukkehjem: The Role of the State. In: A Global Doll's House. Palgrave Studies in Performance and Technology. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-43899-7_3
Download citation
DOI: https://doi.org/10.1057/978-1-137-43899-7_3
Published:
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-43898-0
Online ISBN: 978-1-137-43899-7
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)