Abstract
Kelly provides the first academic study of classical Hollywood actor Robert Taylor, identifying him as a star who sustained a long and successful career during his lifetime, but not after it ended. As a result, Kelly calls Taylor an important ‘lost’ or forgotten star of the era, and considers what then makes an enduring star. Addressing key moments across Taylor’s thirty-five-year career, the chapter provides both a filmic and extra-filmic account of the initial construction and subsequent developments of Taylor’s star persona. Kelly further suggests that Taylor is a key example of a wider phenomenon important in both star and celebrity studies today, and concludes that he can be used as a template to investigate similar actors from both the classical and contemporary eras.
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Notes
- 1.
The Nebraska Historical Society holds personal letters written by Taylor whilst at college. These letters note his plans to become a doctor and never mention acting or Hollywood.
- 2.
The character of Merrick was also Rock Hudson’s breakthrough role when Douglas Sirk remade Magnificent Obsession in 1954. Hudson is, arguably, a very similar type of star to Taylor.
- 3.
Elizabeth Taylor and Grace Kelly are other enduring stars who have featured on modern magazine covers. However, they also fit the model of scandal (Taylor) and short career and early death (Kelly). Furthermore, Vanity Fair recently featured cover images of Nicole Kidman and Lindsay Lohan styled as Kelly.
- 4.
The happy marriage I refer to was Taylor’s second marriage to actress Ursula Thiess, which produced two children and lasted until Taylor’s death.
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Kelly, G. (2016). Robert Taylor: The ‘Lost’ Star with the Long Career. In: Bolton, L., Wright, J. (eds) Lasting Screen Stars. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-40733-7_7
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