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Acting Strategies, Modern Drama, and New Stagecraft

Chapter
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Part of the Palgrave Studies in Screen Industries and Performance book series (PSSIP)

Abstract

Chapter 2 demonstrates that Modern and Method acting represent two distinct reactions to modern drama and new stagecraft: Modern acting sees actors as artists and facilitates their abilities to analyze scripts; Method training prepares actors to respond to directors, who become the key artists of the theatre. The chapter opens its exploration of Modern acting techniques by contrasting them with strategies specific to Lee Strasberg’s Method. Offering readers a look at the actual steps of Strasberg’s actor training plan, the chapter clarifies the profound disparity between the Method and Stanislavsky’s System. It shows that the Method has no connection to Stanislavsky’s approach, but instead rests on a different view of acting, actors, the relationship between actors and scripts, and the role of actors and directors.

Keywords

Sense Memory Emotional Memory American Laboratory Mental Picture Script Analysis 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

Copyright information

© The Author(s) 2016

Authors and Affiliations

  1. 1.Department of Theatre and FilmBowling Green State UniversityBowling GreenUSA

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