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Epilogue: Digital Humanities and Posthuman Feminist Modernism

  • Alex Goody
Chapter
Part of the Modern and Contemporary Poetry and Poetics book series (MPCC)

Abstract

This book closes by turning to our contemporary wireless world and the place of modernist women within it, culminating in an epilogue that considers the uncanny presence of the women of modernism in digital technologies and their position in the archives and practices of contemporary digital humanities. The epilogue serves to affirm the historical specificity of modernist women’s engagement with leisure technologies in their poetry and the forms of lyric becoming they imagined, but also highlights what their experience of technologized subjectivities bequeaths to contemporary conceptions of the gendered subject and her relation to the diverse disturbances of machine amusements.

Works Cited

  1. Bailey, Moya. 2011. All the Digital Humanists Are White, All the Nerds Are Men, but Some of Us Are Brave. Journal of Digital Humanities 1 (1): n.p. http://journalofdigitalhumanities.org/1-1/all-the-digital-humanists-are-white-all-the-nerds-are-men-but-some-of-us-are-brave-by-moya-z-bailey/.
  2. Churchill, Suzanne W., Linda A. Kinnahan, and Susan Rosenbaum. 2018. Feminist Designs: Modernist Digital Humanities & Mina Loy: Navigating the Avant-Garde. Feminist Modernist Studies. 1 (3): 243–256.CrossRefGoogle Scholar
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Copyright information

© The Author(s) 2019

Authors and Affiliations

  • Alex Goody
    • 1
  1. 1.Department of English and Modern LanguagesOxford Brookes UniversityOxfordUK

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