Abstract
For an artist who has always seen her creative expression, her social consciousness, and her womanhood as inseparable from one another, it is not always easy—nor even useful—to think in terms of boundaries and forms. This chapter will reflect upon the journey of my creative life up to and including theatrical works undertaken with ANU Productions, especially those conceived under the heading of the Monto Cycle and The ANU Triptych.
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Notes
- 1.
Sara Keating, “Fringe Reviews,” The Irish Times, September 17, 2009.
- 2.
Brian Singleton, ANU Productions: The Monto Cycle (Palgrave Macmillan, 2016), 1.
Bibliography
Keating, Sara. “Fringe Reviews.” The Irish Times, September 17, 2009
Singleton, Brian. ANU Productions: The Monto Cycle. London: Palgrave Macmillan, 2016.
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Kavanagh, Ú. (2018). The Figurative Artist & ÚNA’N’ANU. In: Jordan, E., Weitz, E. (eds) The Palgrave Handbook of Contemporary Irish Theatre and Performance. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-58588-2_27
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DOI: https://doi.org/10.1057/978-1-137-58588-2_27
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