Abstract
The strategic location of the Malay Peninsula at the Straits of Malacca became the key attraction to the successful trade route between the East and the West. It became the meeting point for traders who not only brought their trades but also their religious belief system. Since the beginning of the Christian era, other religious culture such as Hinduism, Buddhism, and Islam had arrived the shores of the Peninsula. The coming of Hinduism in 500 AD has brought an end to animist culture of the Malay people. Gradually Indian belief system became the embodiment of Malay art and culture not only in the form of literary Sanskrit words but also in carved wood and textiles to fulfill religious devotions and the daily utilitarian needs. Therefore, the objectives for this paper are (1) to investigate how Hindu worldview influences the form and content of its artistic element in selected field-woodcarving and textiles, (2) to postulate the Malay-Islamic aesthetic principles derived from the Qur’an and hadith, and (3) to discuss the transformation from Hindu icons to Islamic worldview in art. The appropriate approaches that merged and integrated with the iconic elements of such transformations are determined. In addition, based from the key evolution factors of Hindu characteristics, several samples of iconic images were identified and classified. The samples presented justified when Islam came to the Malay Peninsula in the fifteenth century; it has brought Hinduism to an end. Indeed, through the whole Islamization process, Islam has transformed the body and soul of the Malay mind. It shaped both religious and spiritual vision of reality specifically in terms of artistic and cultural expressions.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Al-Attas, S. M. N. (1969). Preliminary statement of a general theory of the Islamization of the Malay-Indonesian Archipelago. Kuala Lumpur: UKM.
Esa, S. (1996). Unpublished PhD dissertation. Temple University, Pennsylvania, USA.
Noor, F. A., Khoo, E., & Lok, D. (2003). Spirit of wood: The art of Malay woodcarving: Works by master carvers from Kelantan, Terengganu, and Pattani. Singapore: Periplus.
Maxwell, R. J. (1990). Textiles of Southeast Asia: Tradition, trade, and transformation. Melbourne: Australian National Gallery.
Al-Faruqi, L. (1985). Islam and art. Islamabad: National Hijra Council.
Osman, M. T. (1984). Bunga rampai, aspects of Malay culture. Kuala Lumpur: Dewan Bahasa dan Pustaka, Kementerian Pelajaran, Malaysia.
Soueif, A. (2011). Reflections on Islamic art. Qatar: Qatar Bloomsbury Publishing.
Esa, S. (1991). Islamic identity in contemporary Islamic art in Malaysia. Exhibition catalog. Kuala Lumpur: National Art Gallery.
Sanusi, K. (1998). Visual art education: An Islamic perspective. Unpublished Research under BRC, UiTM., Shah Alam.
Abdullah, A. Y. (1997). The meaning of the Holy Qurả̄n. Beltsville: Amana Publications.
Al-Faruqi, R., & Al-Faruqi, L. L. (1986). The cultural atlas of Islamic world. New York: The McMillan.
Burkhardt, T. (1976). Art of Islam: language and meaning. England: World of Islam Festival Publication Co. Ltd.
Jay, S. (1998). Performing arts. Singapore: Archipelago Press.
Jamal, S. A. (1994). Form and soul. Kuala Lumpur: Dewan Bahasa dan Pustaka.
Dawson, B. (1992). Traditional Indonesian textiles. London: Thames and Hudson Ltd.
Hitchcock, M. (1991). Indonesian textiles. Jakarta: Periplus Editions.
Acknowledgment
The authors would like to acknowledge the UiTM and Ministry of Education for funding this project under RIF grant.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2015 Springer Science+Business Media Singapore
About this paper
Cite this paper
Sanusi, K., Legino, R. (2015). Iconic Transformations from Hinduism to Islamic Art. In: Hassan, O., Abidin, S., Anwar, R., Kamaruzaman, M. (eds) Proceedings of the International Symposium on Research of Arts, Design and Humanities (ISRADH 2014). Springer, Singapore. https://doi.org/10.1007/978-981-287-530-3_7
Download citation
DOI: https://doi.org/10.1007/978-981-287-530-3_7
Publisher Name: Springer, Singapore
Print ISBN: 978-981-287-529-7
Online ISBN: 978-981-287-530-3
eBook Packages: Humanities, Social Sciences and LawEducation (R0)