Abstract
This paper focuses on the in-depth meaning and philosophy of light of the songket motifs together with their traditions and historical associations. The motifs of songket function as vehicles that bring together human minds to be aware of the relationship between the divine and spiritual realms with the physical world. This paper is an exploration of the motifs of songket, which can be seen as the ‘light’ that symbolically represents the Supreme Creator of man, beast and nature. It is equally important to the function of light as a physical entity. The results of this research are mainly qualitative in nature. They are supported by structured interviews, personal observation and visual data to scrutinise the problems and questions raised in this research. The results have shown that the Malay has translated this appreciation of God’s (Allah) beautiful creations into songket through the sense of the weaver, who then transmits these messages to his mind and heart. This paper shows its relationship with the Malay, who created the cultural art and heritage by adding ‘soul’ in their design, taking the aspects of culture, belief and divinity, all of which open our minds to existence and relate it with light, in appreciating humanity and society.
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Interviews
Abdullah, W. Y. (2005). Philosopher and researcher of the bamboo shoot motifs. Interviews at Terengganu State Museum Malaysia on 20 April 2005.
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Acknowledgement
The authors would like to acknowledge the Universiti Sains Malaysia for funding this research under the Research University Individual Grant (RUI) 1001/PPBGN/816187 and the School of Housing, Building and Planning, Universiti Sains Malaysia, for this research project.
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Zakaria, S.A., Bahauddin, A. (2015). ‘Light’ in Malay Songket: Is It Real?. In: Omar, R., Bahrom, H., de Mello, G. (eds) Islamic perspectives relating to business, arts, culture and communication. Springer, Singapore. https://doi.org/10.1007/978-981-287-429-0_9
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DOI: https://doi.org/10.1007/978-981-287-429-0_9
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