Skip to main content

Power As Constantly Reconstituting and the Prospects of Carnivalesque Politics

  • Chapter
  • First Online:
  • 249 Accesses

Part of the book series: Cultural Studies and Transdisciplinarity in Education ((CSTE,volume 10))

Abstract

In this chapter, I return to the key theorizations of power that I discussed in the earlier part of this book. I begin broadly by examining the usefulness of Foucauldian governmentality as a theory of power in explicating the modus operandi of Singapore’s PAP government in curbing free speech in the country’s media space. I then move on to examine the limitations of Foucauldian governmentality and Bourdieusian cultural perspective specifically in the area of artistic and literary performance. Next, I theorize contemporary power relations in vernacular digital discourses by foregrounding two important aspects: the emergence of information brokers and the affective dimension in power relations. In the final section, I theorize on the potentials of carnivalesque as subpolitics and as well as tool of social critique in the context of Singapore.

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   39.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   54.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD   54.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

References

  • Austin, J. L. (1963). Performative-constative (G. J. Warnock, Trans.). In C. E. Caton (Ed.), Philosophy and ordinary language (pp. 22–54). Urbana, IL: University of Illinois Press.

    Google Scholar 

  • Badarneh, M. (2011). Carnivalesque politics: A Bakhtinian case study of contemporary Arab political humor. Humor, 24(3), 305–327.

    Article  Google Scholar 

  • Bakhtin, M. (1965). Rabelais and his world (H. Iswolsky, Trans.). Bloomington, IN: Indiana University Press.

    Google Scholar 

  • Bhavani, K. (2006, July 3). Distorting the truth, Mr. Brown? Today Online. Retrieved from http://www.singapore-window.org/sw06/060703TO.HTM

  • Bourdieu, P. (1977). Outline of a theory of practice. Cambridge, UK: Cambridge University Press.

    Book  Google Scholar 

  • Bourdieu, P. (1993). The field of cultural production, or the economic world reversed. In R. Johnson (Ed.), The field of cultural production: Essays on art and literature. New York: Columbia University Press.

    Google Scholar 

  • boyd, D. (2010). Streams of content, limited attention: The flow of information through social media. Educause Review, 2010(September/October), 27–36.

    Google Scholar 

  • boyd, D., & Ellison, N. B. (2008). Social network sites: Definition, history, and scholarship. Journal of Computer-Mediated Communication, 13, 210–230.

    Article  Google Scholar 

  • Cherrington, J. (2014). “It’s just superstition I suppose…I’ve always done something on game day:” The construction of everyday life on a university basketball team. International Review for the Sociology of Sport, 49(5), 509–525.

    Article  Google Scholar 

  • Chouliaraki, L. (2013). The ironic spectator: Solidarity in the age of post-humanitarianism. Cambridge, MA: Polity Press.

    Google Scholar 

  • de Certeau, M. (1984). The practice of everyday life. Berkeley, CA: University of California Press.

    Google Scholar 

  • Dmitriev, A. V. (2006). Humor and politics. Anthropology & Archeology of Eurasia, 44(3), 64–100.

    Google Scholar 

  • Dr Jiajia & BigBro’s Show (Producer/Director). (2014, January 26). Anton Casey’s mistake (Singlish 55) [Online video]. YouTube. Retrieved from https://www.youtube.com/watch?v=FpAoVdweENc

  • Foucault, M. (1991). Governmentality. In G. Burchell, C. Gordon, & P. Miller (Eds.), The Foucault effect: Studies in governmentality (pp. 73–86). Hemel Hempstead, UK: Harvester Wheatsheaf.

    Google Scholar 

  • Foucault, M. (2000). Power: Essential works of Foucault 1954–1984 (J. Faubion, Ed., R. Hurley & others, Trans.). New York: The New Press.

    Google Scholar 

  • Foucault, M. (2007). Security, territory, population: Lectures at the Collège de France, 1977–1978 (M. Senellart, Ed., G. Burchell, Trans.). New York/Houndmills/Basingstoke/Hampshire, UK: Palgrave Macmillan.

    Google Scholar 

  • Freedman, L. (2012). Wit as a political weapon: Satirists and censors. Social Research, 79(1), 87–112.

    Google Scholar 

  • Goh, D. (2011). State carnivals and the subvention of multiculturalism in Singapore. British Journal of Sociology, 62(1), 111–133.

    Article  Google Scholar 

  • Goh, D. (2013). Multicultural carnivals and the politics of the spectacle in global Singapore. Inter-Asia Cultural Studies, 14(2), 228–251.

    Article  Google Scholar 

  • Gordon, C. (1991). Governmentality rationality: An introduction. In G. Burchell, C. Gordon, & P. Miller (Eds.), The Foucault effect: Studies in governmentality (pp. 1–52). Chicago: University of Chicago Press.

    Google Scholar 

  • Gray, J., Jones, J. P., & Thompson, E. (2009). The state of satire, the satire of state. In J. Gray, J. P. Jones, & E. Thompson (Eds.), Satire TV: Politics and comedy in the post-network era (pp. 3–36). New York: New York University Press.

    Google Scholar 

  • Gwynne, J. (2013). New femininity, neoliberalism, and young women’s blogs in Singapore and Malaysia. In E. M. de Casanova & A. Jafar (Eds.), Bodies without borders (pp. 51–74). New York: Palgrave Macmillan.

    Chapter  Google Scholar 

  • Hang, T. T. (2014). Molding a rational electoral contest regime Singapore-style. In A. T. Kenyon, T. Marjoribanks, & A. Whiting (Eds.), Democracy, media, and law in Malaysia and Singapore: A space for speech (pp. 157–180). London: Routledge.

    Google Scholar 

  • Jenkins, H. (2006). Convergence culture: Where old and new media collide. New York: New York University Press.

    Google Scholar 

  • Klumbyte, N. (2014). Of power and laughter: Carnivalesque politics and moral citizenship in Lithuania. Journal of the American Ethnological Society, 41(3), 473–490.

    Google Scholar 

  • Koh, A. (2007). Living with globalization tactically: The metapragmatics of globalization in Singapore. Journal of Social Issues in Southeast Asia, 22(2), 179–201.

    Article  Google Scholar 

  • Kong, L. (2012). Ambitions of a global city: Arts, culture, and creative economy in post-crisis Singapore. International Journal of Cultural Policy, 18(3), 279–294.

    Article  Google Scholar 

  • Lee, K. M. (2006, July 3). S’poreans are fed up, up with progress! Today Online. Retrieved from http://www.singapore-window.org/sw06/060630TO.HTM

  • Lee, T. (2014). Media governmentality in Singapore. In A. T. Kenyon, T. Marjoribanks, & A. Whiting (Eds.), Democracy, media, and law in Malaysia and Singapore (pp. 23–44). London: Routledge.

    Google Scholar 

  • Marc, D. (2009). Foreword. In J. Gray, J. P. Jones, & E. Thompson (Eds.), Satire TV: Politics and comedy in the post-network era (pp. ix–xiv). New York: New York University Press.

    Google Scholar 

  • Morreall, J. (2005). Humour and the conduct of politics. In M. Pickering & S. Lockyer (Eds.), Before a joke: The limits of humour (pp. 65–80). Basingstoke, UK: Palgrave Macmillan.

    Google Scholar 

  • mrbrown (Producer/Director). (2014, January 23). The mrbrown show: Who say we smelly? [Video file]. Retrieved from http://www.youtube.com/watch?v=fYl3Ov4Hhpg

  • Pickering, M., & Lockyer, S. (Eds.). (2005). Before a joke: The limits of humour (pp. 65–80). Basingstoke, UK: Palgrave Macmillan.

    Google Scholar 

  • Pollen, A. (2014). ‘The Valentine has fallen upon evil days’: Mocking Victorian valentines and the ambivalent laughter of the carnivalesque. Early Popular Visual Culture, 12(2), 127–173.

    Google Scholar 

  • Rumelili, B. (2012). Liminal identities and processes of domestication and subversion in international relations. Review of International Studies, 38(2), 495–508.

    Article  Google Scholar 

  • Scott, J. (1990). Domination and the arts of resistance: Hidden transcripts. New Haven, CT: Yale University Press.

    Google Scholar 

  • SocialBlade. (2018). Retrieved from https://socialblade.com/

  • Sullivan, P. (2010). Vygotskian dialectics and Bakhtinian dialogics. Theory & Psychology, 20(3), 362–378.

    Article  Google Scholar 

  • Thompson, E. (2009). Good demo, bad taste: South Park as carnivalesque satire. In J. Gray, J. P. Jones, & E. Thompson (Eds.), Satire TV: Politics and comedy in the post-network era (pp. 213–232). New York: New York University Press.

    Google Scholar 

  • Ungureanu, C. (2015). Aestheticization of politics and ambivalence of self-sacrifice in Charlie Brooker’s The National Anthem. Journal of European Studies, 45(1), 21–30.

    Article  Google Scholar 

  • Wee, L. (2008). Linguistic instrumentalism in Singapore. In P. Tan & R. Rubdy (Eds.), Language as commodity: Global structures, local market places (pp. 31–43). New York: Continuum.

    Google Scholar 

  • Ziv, A. (1984). Personality and sense of humor. New York: Springer.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Rights and permissions

Reprints and permissions

Copyright information

© 2020 Springer Nature Singapore Pte Ltd.

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Kan, HY.K. (2020). Power As Constantly Reconstituting and the Prospects of Carnivalesque Politics. In: Digital Carnivalesque. Cultural Studies and Transdisciplinarity in Education, vol 10. Springer, Singapore. https://doi.org/10.1007/978-981-15-2051-8_8

Download citation

Publish with us

Policies and ethics