Abstract
In this chapter, I return to the key theorizations of power that I discussed in the earlier part of this book. I begin broadly by examining the usefulness of Foucauldian governmentality as a theory of power in explicating the modus operandi of Singapore’s PAP government in curbing free speech in the country’s media space. I then move on to examine the limitations of Foucauldian governmentality and Bourdieusian cultural perspective specifically in the area of artistic and literary performance. Next, I theorize contemporary power relations in vernacular digital discourses by foregrounding two important aspects: the emergence of information brokers and the affective dimension in power relations. In the final section, I theorize on the potentials of carnivalesque as subpolitics and as well as tool of social critique in the context of Singapore.
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Kan, HY.K. (2020). Power As Constantly Reconstituting and the Prospects of Carnivalesque Politics. In: Digital Carnivalesque. Cultural Studies and Transdisciplinarity in Education, vol 10. Springer, Singapore. https://doi.org/10.1007/978-981-15-2051-8_8
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