Abstract
Critical posthumanism provides the overarching theoretical impulse for this book, while the practical and analytical framework is inspired primarily by Foucault in combination with social practice theories. Critical posthumanism, as described by Cudworth and also Cudworth and Hobden, addresses what some scholars perceive as a prevailing human-centrism in certain accounts of posthumanism. In this chapter, I provide a broadly contextualised explication of critical posthumanism before introducing Foucault’s work and clarifying how it aligns with this explicitly emancipatory approach. I then articulate what Foucault’s theorisations on power, knowledge, language, discipline, sexuality, and ethics contribute to a study of meat’s persistence in social practices, and how I apply these to critically explore the persistent edibility of food animals among self-identified producers and consumers of ethical and sustainable meat.
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Notes
- 1.
Citing Gillian Rose, Mei-Po Kwan explains, “Hybrids ‘transgress and displace boundaries between binary divisions and in so doing produce something ontologically new,’ […] hybrid geographies are geographical practices (or ‘boundary projects’) that challenge the boundary and forge creative connections between social-cultural and spatial-analytical geographies” (2004: 758). Whatmore describes “hybrid mappings” that “emphasise the multiplicity of space-times generated in/by movements and rhythms of heterogeneous association” (2002: 6).
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- 3.
The only other accounts of critical posthumanism that I have found are similarly inattentive to anything other than the human. The prefix ‘critical’ is used rather to describe a critical approach to theories and concepts of posthumanism itself, rather than society, social structures, and systems of power, as in critical theory and critical animal studies (see, for example, Herbrechter 2013a, b; Banerji and Paranjape 2016; forthcoming BRILL series titled Critical Posthumanisms: www.brill.com/products/series/critical-posthumanisms).
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In every way imaginable, including (but not limited to) materially, biologically, physically, emotionally, and intellectually.
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In Volume 2 of the History of Sexuality: The Use of Pleasure, Foucault notes “the long history of connection between alimentary ethics and sexual ethics” (1985: 51). These together relate to food, drink, and sex—the “three basic appetites”, as Foucault (49) calls them, or, according to Aristotle, the “three common pleasures” (51). Many scholars since have also explored this connection (e.g. Probyn 2000; Cudworth 2011; Potts and Parry 2010), and it serves as a constant source of symbolic and narrative texture for works of art and literature across a variety of media (e.g. Margaret Atwood’s The Edible Woman (1969); Jim Crace’s The Devil’s Larder (2002); Peter Greenaway’s 1989 film The Cook, the Thief, His Wife and Her Lover, and the more recent Raw (2017) by Julie Ducournau, among others).
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The panopticon is an architectural form that Bentham proposed for the design of prisons. It comprises a central tower from which the many can be observed by the one, thereby reversing the principle of the dungeon. Instead, visibility becomes a trap (Foucault 1977: 200).
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Which is an aspect of ‘conscious’ consumerism more broadly—the increased transparency and de/re-fetishisation of production processes.
- 9.
In terms of what is regarded as edible, how it is obtained, what purpose different foods are understood to serve both physically and symbolically, and the methods and tools used to prepare food for consumption.
- 10.
In ‘The Skyscraper’, Horkheimer (1978: 66–67) paints a critical and vivid picture of the social order, at the base of which, “we encounter the actual foundation of misery on which this structure rises … Below the spaces where the coolies of the earth perish by the millions, the indescribable, unimaginable suffering of the animals, the animal hell in human society, would have to be depicted, the sweat, blood, despair of the animals … The basement of that house is a slaughterhouse, its roof a cathedral, but from the windows of the upper floors, it affords a really beautiful view of the starry heavens”.
- 11.
Meaty practices are conceived broadly as all practices that are in any way connected to the production and consumption of meat and the use of ‘food’ animals where their constitution as food is implicitly accepted. These include, for instance, any practices that involve the sourcing, buying, and eating of meat, practices relating to the breeding, purchase, feeding, rearing, trading, marketing, and general ‘production’ of meat, and other practices where ‘food’ animals might feature, for instance, as entertainment (e.g. petting zoos, rodeos), or objects of welfare efforts.
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Arcari, P. (2020). Theoretical Framework: Advancing and Enacting a Critical Posthumanism. In: Making Sense of ‘Food’ Animals. Palgrave Macmillan, Singapore. https://doi.org/10.1007/978-981-13-9585-7_3
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