Abstract
The rural communities of eastern Jharkhand paint their mud houses annually before the festivals. Various visual forms such as flowers, animals, birds and dancing human forms are painted on the external and internal wall of the mud houses. The placements of these visual forms on the wall vary from one region to another. To understand the concept of visual space in this art form among these communities, ethnographic research has been conducted in three administrative divisions (Santhal Pargana, North Chotanagpur and Kolhan) of eastern rural Jharkhand. Unstructured interview and documentation method were used to understand the concept of visual space in mural art tradition. Specifying the three mural-making mediums, three visual layouts are discussed in this study. Following these three layouts, the concept of physical and conceptual space of rural mural artist has been explained.
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Notes
- 1.
Motif is a decorative, narrative or iconographic image or design.
- 2.
The motif is presented in centre of any group motif like two birds with one pot. Here, pot is a central motif.
- 3.
Figure–ground organization is one of the principles of Gestalt psychology. In art, it is explained as perceptual grouping in which a figure is identified as a background and background identified as a figure through vision.
- 4.
Anchal is the end/corner of the Saree (it is a traditional Indian dress worn by women), and in Hindi, it is known as Aanchal or Pallu. Aanchal is generally the most decorated part of the Saree. ‘maa ka anchal’ is a proverb used by the rural people for the decorated houses.
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Rani, P., Udaya Kumar, D. (2019). Defining the Concept of Visual Space in Mural Art Traditions of Rural Eastern Jharkhand. In: Chakrabarti, A. (eds) Research into Design for a Connected World. Smart Innovation, Systems and Technologies, vol 135. Springer, Singapore. https://doi.org/10.1007/978-981-13-5977-4_22
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DOI: https://doi.org/10.1007/978-981-13-5977-4_22
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