Skip to main content

A Brief History of Franco-American Circulation in the Twentieth Century

  • Chapter
  • First Online:
Capitals of Punk
  • 293 Accesses

Abstract

This chapter discusses the centuries-long relationship between the US and France in terms of history, politics, and, above all, music. American and French popular culture have been intertwined for almost as long as either state has existed. This chapter also discusses how local record labels like Dischord and Postcard have documented that circulation on both sides of the Atlantic.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

eBook
USD 19.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 27.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 79.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Bibliography

  • Adams, P. C. (2007). Atlantic reverberations: French representations of an American presidential election. London: Ashgate.

    Google Scholar 

  • Andersen, M., & Jenkins, M. (2001). Dance of days: Two decades of punk in the Nation’s capital. New York: Akashic Books.

    Google Scholar 

  • Azerrad, M. (2001). Our band could be your life: Scenes from the American indie underground, 1981–1991. New York: Little, Brown.

    Google Scholar 

  • Bell, T. (1998). Why Seattle? An examination of an alternative rock culture hearth. Journal of Cultural Geography, 18(1), 35–47.

    Article  Google Scholar 

  • Briggs, J. (2015). Sounds French: Globalization, cultural communities, and pop music, 1958–1980. Oxford: Oxford University Press.

    Book  Google Scholar 

  • De Tocqueville, A. (1978). Democracy in America (21st ed.). New York: Mentor.

    Google Scholar 

  • Dunn, K. (2016). Global punk: Resistance and rebellion in everyday life. New York: Bloomsbury.

    Book  Google Scholar 

  • Foley, M. S. (2015). Dead Kennedy’s fresh fruit for rotting vegetables. 33 1/3 (Vol. 105). New York: Bloomsbury.

    Book  Google Scholar 

  • Frith, S. (1996). Music and identity. In S. Hall & P. D. Gay (Eds.), Questions of cultural identity (pp. 108–127). London: Sage.

    Google Scholar 

  • Gillett, C. (1970). The sound of the city: The rise of rock and roll. New York: Outerbridge & Dienstfrey.

    Google Scholar 

  • Goode, J. M. (2003). Capital losses: A cultural history of Washington’s destroyed buildings. Washington, DC: Smithsonian Books.

    Google Scholar 

  • Green, N. L. (2014). The other Americans in Paris: Businessmen, countesses, wayward youth, 1880–1941. Chicago: University of Chicago Press.

    Book  Google Scholar 

  • Kassabian, A. (1999). Popular. In B. Horner & T. Swiss (Eds.), Key terms in popular music and culture (pp. 113–123). Malden: Blackwell Publishing.

    Google Scholar 

  • Kelly, M., Jones, T., & Forbes, J. (1995). Modernization and Avant-gardes. In J. Forbes & M. Kelly (Eds.), French cultural studies (pp. 140–182). Oxford: Oxford University Press.

    Google Scholar 

  • Looseley, D. (2005). Fabricating Johnny: French popular music and national culture. French Cultural Studies, 16(2), 191–203.

    Article  Google Scholar 

  • Nelson, V. (2013). An introduction to the geography of tourism. Lanham: Rowman & Littlefield.

    Google Scholar 

  • No Author Credited. (1977, April 9). Jazz Reissues become growing industry. Billboard Magazine, p. F-5.

    Google Scholar 

  • Regis, H. A., & Walton, S. (2008). Producing the folk at the New Orleans Jazz and heritage festival. Journal of American Folklore, 121(482), 400–440.

    Article  Google Scholar 

  • Scriven, M., Hewitt, N., Kelly, M., & Atack, M. (1995). War and class wars (1914–1944). In J. Forbes & M. Kelly (Eds.), French cultural studies (pp. 54–96). Oxford: Oxford University Press.

    Google Scholar 

  • Slickzine, 1985 (DC)

    Google Scholar 

  • Smith, H. (2016a, May 9). John Stabb, punk rock headliner of D.C. music scene, dies at 54. The Washington Post. Retrieved from https://www.washingtonpost.com/local/if-these-walls-could-talk-theyd-probably-scream/2016/08/01/86bbed62-5751-11e6-831d-0324760ca856_story.html?utm_term=.26f1de1fea31

  • Smith, T. L. (2016b, December 9). Rock & Roll Hall of Fame 2017: Hard to ignore Bad Brains’ influence. Cleveland.com. Retrieved from http://www.cleveland.com/entertainment/index.ssf/2016/12/rock_roll_hall_of_fame_2017_ha.html

  • Taylor, H. (2001). Circling Dixie: Contemporary southern culture through a transatlantic lens. New Brunswick: Rutgers University Press.

    Google Scholar 

  • Tuan, Y. (1977). Space and place: The perspective of experience (10th ed.). Rochester: University of Minnesota Press.

    Google Scholar 

  • Wallach, J. (2008). Living the punk lifestyle in Jakarta. Ethnomusicology, 52(1), 98–116.

    Google Scholar 

  • Wetzel, R. (2012). The globalization of music in history. London: Routledge.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Tyler Sonnichsen .

Rights and permissions

Reprints and permissions

Copyright information

© 2019 The Author(s)

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Sonnichsen, T. (2019). A Brief History of Franco-American Circulation in the Twentieth Century. In: Capitals of Punk. Palgrave Macmillan, Singapore. https://doi.org/10.1007/978-981-13-5968-2_3

Download citation

  • DOI: https://doi.org/10.1007/978-981-13-5968-2_3

  • Published:

  • Publisher Name: Palgrave Macmillan, Singapore

  • Print ISBN: 978-981-13-5967-5

  • Online ISBN: 978-981-13-5968-2

  • eBook Packages: Social SciencesSocial Sciences (R0)

Publish with us

Policies and ethics