Abstract
This chapter discusses the centuries-long relationship between the US and France in terms of history, politics, and, above all, music. American and French popular culture have been intertwined for almost as long as either state has existed. This chapter also discusses how local record labels like Dischord and Postcard have documented that circulation on both sides of the Atlantic.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Bibliography
Adams, P. C. (2007). Atlantic reverberations: French representations of an American presidential election. London: Ashgate.
Andersen, M., & Jenkins, M. (2001). Dance of days: Two decades of punk in the Nation’s capital. New York: Akashic Books.
Azerrad, M. (2001). Our band could be your life: Scenes from the American indie underground, 1981–1991. New York: Little, Brown.
Bell, T. (1998). Why Seattle? An examination of an alternative rock culture hearth. Journal of Cultural Geography, 18(1), 35–47.
Briggs, J. (2015). Sounds French: Globalization, cultural communities, and pop music, 1958–1980. Oxford: Oxford University Press.
De Tocqueville, A. (1978). Democracy in America (21st ed.). New York: Mentor.
Dunn, K. (2016). Global punk: Resistance and rebellion in everyday life. New York: Bloomsbury.
Foley, M. S. (2015). Dead Kennedy’s fresh fruit for rotting vegetables. 33 1/3 (Vol. 105). New York: Bloomsbury.
Frith, S. (1996). Music and identity. In S. Hall & P. D. Gay (Eds.), Questions of cultural identity (pp. 108–127). London: Sage.
Gillett, C. (1970). The sound of the city: The rise of rock and roll. New York: Outerbridge & Dienstfrey.
Goode, J. M. (2003). Capital losses: A cultural history of Washington’s destroyed buildings. Washington, DC: Smithsonian Books.
Green, N. L. (2014). The other Americans in Paris: Businessmen, countesses, wayward youth, 1880–1941. Chicago: University of Chicago Press.
Kassabian, A. (1999). Popular. In B. Horner & T. Swiss (Eds.), Key terms in popular music and culture (pp. 113–123). Malden: Blackwell Publishing.
Kelly, M., Jones, T., & Forbes, J. (1995). Modernization and Avant-gardes. In J. Forbes & M. Kelly (Eds.), French cultural studies (pp. 140–182). Oxford: Oxford University Press.
Looseley, D. (2005). Fabricating Johnny: French popular music and national culture. French Cultural Studies, 16(2), 191–203.
Nelson, V. (2013). An introduction to the geography of tourism. Lanham: Rowman & Littlefield.
No Author Credited. (1977, April 9). Jazz Reissues become growing industry. Billboard Magazine, p. F-5.
Regis, H. A., & Walton, S. (2008). Producing the folk at the New Orleans Jazz and heritage festival. Journal of American Folklore, 121(482), 400–440.
Scriven, M., Hewitt, N., Kelly, M., & Atack, M. (1995). War and class wars (1914–1944). In J. Forbes & M. Kelly (Eds.), French cultural studies (pp. 54–96). Oxford: Oxford University Press.
Slickzine, 1985 (DC)
Smith, H. (2016a, May 9). John Stabb, punk rock headliner of D.C. music scene, dies at 54. The Washington Post. Retrieved from https://www.washingtonpost.com/local/if-these-walls-could-talk-theyd-probably-scream/2016/08/01/86bbed62-5751-11e6-831d-0324760ca856_story.html?utm_term=.26f1de1fea31
Smith, T. L. (2016b, December 9). Rock & Roll Hall of Fame 2017: Hard to ignore Bad Brains’ influence. Cleveland.com. Retrieved from http://www.cleveland.com/entertainment/index.ssf/2016/12/rock_roll_hall_of_fame_2017_ha.html
Taylor, H. (2001). Circling Dixie: Contemporary southern culture through a transatlantic lens. New Brunswick: Rutgers University Press.
Tuan, Y. (1977). Space and place: The perspective of experience (10th ed.). Rochester: University of Minnesota Press.
Wallach, J. (2008). Living the punk lifestyle in Jakarta. Ethnomusicology, 52(1), 98–116.
Wetzel, R. (2012). The globalization of music in history. London: Routledge.
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
© 2019 The Author(s)
About this chapter
Cite this chapter
Sonnichsen, T. (2019). A Brief History of Franco-American Circulation in the Twentieth Century. In: Capitals of Punk. Palgrave Macmillan, Singapore. https://doi.org/10.1007/978-981-13-5968-2_3
Download citation
DOI: https://doi.org/10.1007/978-981-13-5968-2_3
Published:
Publisher Name: Palgrave Macmillan, Singapore
Print ISBN: 978-981-13-5967-5
Online ISBN: 978-981-13-5968-2
eBook Packages: Social SciencesSocial Sciences (R0)