Abstract
This chapter discusses two gigs, one apocryphal and one lived by the author, to explain how this book came about as well as demonstrate the weird space that Washington, DC, and Paris occupy in the story of rock ānā roll. It also lays the groundwork for how punk and hardcore brought the two cities and scenes closer together.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Bibliography
Andersen, M., & Jenkins, M. (2001). Dance of days: Two decades of punk in the Nationās capital. New York: Akashic Books.
Fairchild, C. (1995). āAlternativeā; music and the politics of cultural autonomy: The case of Fugazi and the D.C. Scene. Popular Music and Society, 19(1), 17ā35.
Fremaux, S., & Fremaux, M. (2013). Remembering the Beatlesā legacy in Hamburgās problematic tourism strategy. Journal of Heritage Tourism, 8(4), 303ā319.
Inglis, I. (2012). The Beatles in Hamburg. Reverb. London: Reaktion Books.
OāConnor, A. (2008). Punk record labels and the struggle for autonomy: The emergency of DIY. Lanham: Lexington Books.
Spracklen, K. (2014). There is (almost) no alternative: The slow āheat deathā of music subcultures and the instrumentalization of contemporary leisure. Annals of Leisure Research, 17(3), 252ā266.
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
Copyright information
Ā© 2019 The Author(s)
About this chapter
Cite this chapter
Sonnichsen, T. (2019). Introduction: A Tale of Two Cities and Scenes. In: Capitals of Punk. Palgrave Macmillan, Singapore. https://doi.org/10.1007/978-981-13-5968-2_1
Download citation
DOI: https://doi.org/10.1007/978-981-13-5968-2_1
Published:
Publisher Name: Palgrave Macmillan, Singapore
Print ISBN: 978-981-13-5967-5
Online ISBN: 978-981-13-5968-2
eBook Packages: Social SciencesSocial Sciences (R0)