Abstract
In this chapter, we introduce the research and development works for robust audio watermarking over the past decades. An audio watermarking system could be categorized into a time or transform domain system, simply by examining whether the watermarks are embedded in the original or transformed audio samples Hua et al. (Signal Process 128:222–242, 2016) [1]. Here, we take a different perspective to review audio watermarking techniques. We start from introducing the three classical techniques, i.e., echo hiding, spread spectrum, and quantization index modulation, followed by their further improvements and advanced designs. For the advanced designs, we categorized them according to what the watermarking systems are aimed for, instead of in which domain the watermarks are embedded. We also introduce several novel perspectives on audio watermarking at the end of this chapter.
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Notes
- 1.
Here DTFT is used instead of DFT for the ease of analysis and notation. Note that in practical implementations, the fast algorithm of DFT, i.e., fast Fourier transform (FFT) is used.
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Xiang, Y., Hua, G., Yan, B. (2017). Classical Techniques and Recent Developments. In: Digital Audio Watermarking. SpringerBriefs in Electrical and Computer Engineering(). Springer, Singapore. https://doi.org/10.1007/978-981-10-4289-8_3
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DOI: https://doi.org/10.1007/978-981-10-4289-8_3
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