Abstract
Poet Rabindranath Tagore and artist Okakura Tenshin have collectively preached exploration of design semantics and semiotics based on Pan-Asian ideologies. The present paper attempts to establish their preaching based on an exploration of design in forming the un-built and built Architectural spaces. Design parameters integrated with nature and tradition are the major concerns in inseminating language of architectural expression. The paper attempts to establish the triad of Nature-Originality-Tradition, with a juxtaposition of heritage based creativity and innovation based high-end technologies. Finally, a conception of shared identity by the twin preachings through a confederation of art systems driven by a Pan-Asian viewpoint is identified as a major outcome of this paper.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
References
Schumacher, E.F.: Small is Beautiful: Economics as if People Mattered. Harper and Row, New York (1973)
Pinto, V.: Rabindranath Tagore and Japan: a poet’s prophecy. J. Sophia Asian Stud. 29 (2011)
Okakura, K.: Ideals of the East: The Spirit of Japanese Art (1904)
Racel, M.N.: Okakura Kakuzō’s art history: cross-cultural encounters, United States. Asian Rev. World Hist. The Asian Association of World Historians (2014)
Okakura, K.: Book of Tea. Duffield & Company, New York (1906)
Kōjin, K.: Japan as art museum: Okakura Tenshin and Fenollosa. In: Marra MF (ed.) A History of Japanese Aesthetics. University of Hawaii Press, Honolulu (2001)
Sengupta, S.: Continental contemporaries: Rabindranath Tagore and Okakura Tenshin 320–325 (2009). doi:10.1080/14649370902823470
Banerjee, A.: Our own green-life future. http://www.museindia.com/viewarticle.asp?myr=2015&issid=59&id=5429. Visited on 20.04.2016
Sen, S.: Rabindranath Tagore on Rural Construction. Visva Bharati Publication, Calcutta (1943)
Radhakrishnan, S. (ed.): Sahitya Akademi, Rabindranath Tagore: A Centenary, volumes 1861–1961(1992)
Okakura, K.: Awakening of Japan, p. 8. The Century Co., New York (1905)
Guha-Thakurta, T.: Abanindranath, Known and Unknown: The Artist Versus the Art of His Times. Archive Series. Center for Studies in Social Sciences (2009)
Siva Kumar, R.: Abanindranath: from cultural nationalism to modernism. Nandan, pp. 49 (1996)
Cohen, J.: Nationalism and Painting in Colonial Bengal. SIT Graduate Institute/SIT Study Abroad SIT Digital Collections (2012)
Dutta, K., Robinson, A.: Selected Letters, quoted in Yasunari Kawabata, The Existence and Discovery of Beauty (trans: Viglielmo, V.H.). Mainichi Newspapers, Tokyo (1969)
Walker, R.N.: Shoko-Ken: A Late Medieval Daime Sukiya Style Japanese Tea-House. Routledge (2012)
Bharucha, R.: Another Asia: Rabindraneth Tagore and Okakura Tenshin; Oxford University Press (2006)
Nute, K.: Frank Lloyd Wright and Japan—The role of traditional Japanese art and architecture in the work of Frank Lloyd Wright. Chapman & Hall. (1993)
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2017 Springer Nature Singapore Pte Ltd.
About this paper
Cite this paper
Bhattacharya, T., Sen, J. (2017). An Exploration of Design: Based on Pan-Asian Semiotics and Semantics. In: Chakrabarti, A., Chakrabarti, D. (eds) Research into Design for Communities, Volume 2. ICoRD 2017. Smart Innovation, Systems and Technologies, vol 66. Springer, Singapore. https://doi.org/10.1007/978-981-10-3521-0_64
Download citation
DOI: https://doi.org/10.1007/978-981-10-3521-0_64
Published:
Publisher Name: Springer, Singapore
Print ISBN: 978-981-10-3520-3
Online ISBN: 978-981-10-3521-0
eBook Packages: EngineeringEngineering (R0)