Abstract
The current use of film in education is limited to either its illustrative function in the service of other ideas, or as the object of empirical and theoretical study. Wittgenstein sees both illustration and explanation as extensions of the Cartesian legacy of psychologism and thereby disengaged from the actual experience of the world. Film, Wittgenstein’s followers argue, provides a unique opportunity to reconnect with that immediate experience: firstly, by exposing the neuroses of psychologism; and secondly, by inviting the viewer to relinquish the tendency to explain film’s hidden meanings prior to accepting what it has to say on its own terms. Finally, where film is currently being taken very seriously by some philosophers as a mode of philosophising in itself, or a medium that philosophises in front of our eyes, I will argue that the same attention has not yet been given to the ways in which film can act as an educator (how it can teach).
Not to explain, but to accept the psychological phenomenon—that is what is difficult. (RPP §509)
This is a preview of subscription content, log in via an institution.
Buying options
Tax calculation will be finalised at checkout
Purchases are for personal use only
Learn about institutional subscriptionsNotes
- 1.
Following convention, titles for Wittgenstein’s works are abbreviated (PI = Philosophical Investigations, RPP = Remarks on the Philosophy of Psychology), with section (§) or page number (p.), with full citation and initials (e.g., RFM) in the References.
- 2.
- 3.
Allen and Turvey have described Wittgenstein’s rejection of theory as the signature feature of his later work.
- 4.
This is not to denigrate theory entirely. Rodowick (2014) makes the observation that theory should not be confused with law, because it simply offers a provisional account of the way things are, making it a description in the sense that Wittgensstein and Cavell both endorse.
References
Allen, R., & Turvey, M. (2001). Wittgenstein’s later philosophy: A prophylaxis against theory. In R. Allen & M. Turvey (Eds.), Wittgenstein, theory, and the arts. London: Routledge.
Bauer, N. (2005). Cogito Ergo film: Plato, Descartes, and Fight Club. In R. Read & J. Goodenough (Eds.), Film as philosophy: Essays on cinema after Wittgenstein and Cavell (pp. 39–56). London: Palgrave Macmillan UK.
Bauer, N. (2015). Reel girls and real girls: What becomes of women on film?
Budd, M. (2013). Wittgenstein’s philosophy of psychology. Abingdon: Routledge.
Cavell, S. (1979). The world viewed. Cambridge, MA: Harvard University Press.
Cavell, S. (2004). Cities of words: Pedagogical letters on a register of the moral life. Cambridge, MA: Harvard University Press.
Cavell, S. (2005). What becomes of thinking on film. In R. Read & J. Goodenough (Eds.), Film as philosophy. Basingstoke: Palgrave Macmillan.
Descartes, R. (1968). Discourse on method and the meditations. Harmondsworth: Penguin Books.
Hutchinson, P., & Read, R. (2005). Memento: A philosophical investigation. In R. Read & J. Goodenough (Eds.), Film as philosophy: Essays on cinema after Wittgenstein and Cavell (pp. 72–93). London: Palgrave Macmillan UK.
Klevan, A. (2014). Vertigo and the spectator of film analysis. Film Philosophy, 18(Special Section on Stanley Cavell), 147–171.
Leopard, D. (2013). Teaching with the screen: Pedagogy, agency, and media culture. Abingdon: Routledge.
Mulhall, S. (2002). On film. London: Routledge.
Mulhall, S. (2005). In space, no-one can hear you scream: Acknowledging the human voice in the alien universe. In R. Read & J. Goodenough (Eds.), Film as philosophy: Essays on cinema after Wittgenstein and Cavell (pp. 57–71). London: Palgrave Macmillan UK.
Polster, B., & Ross, M. (2012). Math goes to the movies. Baltimore, MD: Johns Hopkins University Press.
Read, R. (2014). Ordinary/everyday language. In K. Jolley (Ed.), Wittgenstein: Key concepts. Abingdon: Routledge.
Rodowick, D. (2014). Elegy for theory. Cambridge, MA: Harvard University Press.
Standish, P. (2012). ‘THIS is produced by a brain-process!’ Wittgenstein, transparency and psychology today. Journal of Philosophy of Education, 46(1), 60–72.
ter Hark, M. (2011). Wittgenstein on the experience of meaning and secondary use. In M. McGinn & O. Kuusela (Eds.), The Oxford handbook of Wittgenstein. Oxford: OUP.
Wittgenstein, L. (1958). Philosophical investigations. Oxford: Blackwell (PI).
Wittgenstein, L. (1998). Remarks on the philosophy of psychology (Vol. 1). Oxford: Blackwell (RPP).
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2017 Springer Nature Singapore Pte Ltd.
About this chapter
Cite this chapter
Gibbs, A. (2017). ‘Not to Explain, but to Accept’: Wittgenstein and the Pedagogic Potential of Film. In: Peters, M., Stickney, J. (eds) A Companion to Wittgenstein on Education. Springer, Singapore. https://doi.org/10.1007/978-981-10-3136-6_45
Download citation
DOI: https://doi.org/10.1007/978-981-10-3136-6_45
Published:
Publisher Name: Springer, Singapore
Print ISBN: 978-981-10-3134-2
Online ISBN: 978-981-10-3136-6
eBook Packages: EducationEducation (R0)