Abstract
As Kittay (2001) suggests, and later Sedgwick (2002), literary myth holds promise for better understanding the deep-rooted systems and processes which produce and enforce normalcy. One predominant human myth is transcendence of the body, with variations from ‘enhancing’ the aesthetic body to complete mastery of the body, culminating in the self—as master—transforming the body at will.
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Wiebe, S. (2016). What is Good for the Poem is Good for the Poet. In: Galvin, K.T., Prendergast, M. (eds) Poetic Inquiry II – Seeing, Caring, Understanding. SensePublishers, Rotterdam. https://doi.org/10.1007/978-94-6300-316-2_13
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DOI: https://doi.org/10.1007/978-94-6300-316-2_13
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