Abstract
The idea here is to mediologically take the measure of some of the socio-historical transformations in the gap between the conjunctures marked, however inadequately, by the terms proletariat and multitude. Such an approach has important implications for the politics of cultural praxis.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
References
Ahmed, S. (2004). The cultural politics of emotion. New York: Routledge.
Althusser, L. (1971). ‘Ideology and Ideological State Apparatuses’. In Lenin and philosophy and other essays, (trans.) Brewster B., Monthly Review Press.
Beller, J. (2006). The cinematic mode of production. Lebanon NH: Dartmouth University Press.
__________, (2008). ‘Iterations of the Impossible: Questions of Digital Revolution in the Philippines,’ Postcolonial Studies, 11(4), 435–450.
Benjamin, W. (1969). ‘The Work of Art in the Age of Mechanical Reproduction.’ In W. Benjamin, Illuminations, H. Arendt (Ed.). New York: Shocken Books.
Césaire, A. (1972). Discourse on colonialism (trans.) Pinkham, J. New York and London: Monthly Review Press.
Cixous, H. (1994). The Helene Cixous Reader, New York and London: Routledge.
Clough, P. (2000). Autoaffection: Unconsious thought in the age of technology, Univ. of Minnesota Press.
Cooper, M. & Mitropoulos A. (2009). ‘In Praise of Usura.’ In mute magazine. http://www.metamute.org/content/in_praise_of_usura
Cubitt, S. (forthcoming, 2012) ‘The Political Economy of Cosmopolis.’ In Scholz, T. (Ed.), Digital labor. New York and London: Routledge.
Debray, R. (1996). Media manifestos, London: Verso.
Eisenstein, S. (1998). Writings, 1922–1934: Sergei Eisenstein selected works, Volume 1 (Ed.). Richard Taylor: London, BFI 1998.
Fanon, F. (2008). Black skin, white masks, Grove Press.
Flusser, V. (2000), Towards a philosophy of photography, (trans.) Anthony Matthews, intro Hubertus Von Amelunxen, London: Reaktion Books.
____________, (2011). Into the Universe of technical images.
Fortunati, L. (2007). ‘Immaterial Labor and It’s Mechanization’ in Ephemera 7(1) 139–157.
Gao, C. (forthcoming, 2012) ‘Virtuosic Virtuality of Asian American Youtube Stars.’ In Jonathan Beller (Ed.), The scholar and feminist online, special issue: Feminist media theory, iterations of social difference.
Hardt, M. & Negri, A. (2001). Empire, Cambridge: Harvard University Press.
Haraway, D. (1991). ‘A Cyborg Manifesto,’ in Simians, cyborgs and women, Routledge, 1991.
Hoffman, D. (Fall, 2011). ‘Violent Virtuosity: Visual Labor in West Africa’s Mano River War,’ Anthropological Quarterly, 84(4).
Jay, M. (1988). ‘Scopic regimes of modernity.’ In Vision and visuality, The New Press.
Kittler, F. (1999). Gramophone, film, typewriter, Stanford: Stanford University Press.
Kristeva, J. (1982). Powers of horror: An essay on abjection, New York: Columbia University Press.
Lazzarato, M. (1996). (‘Immaterial Labour’ in Hardt, M. & Virno, P. (Eds.)), Radical thought in Italy: A potential politics (pp. 133–147). Minneapolis: University of Minnesota Press.
Marazzi, C. (2010). The violence of financial capitalism, New York: Semiotext(e), 2010.
Martin, R. (2007). An empire of indifference, Durham: Duke University Press.
Massumi, B. (2002). Parables for the virtual: Movement, affect, sensation, Durham: Duke University Press, 2002.
Mies, M. (1999). Patriarchy and accumulation on a World scale, Zed Books, 1999.
Mirzoeff, N. (2011). The right to look, Durham: Duke University Press, 2011
Ngai S. (2007). Ugly Feelings, Cambridge: Harvard UP.
Raley, R (2009). Tactical media, Minneapolis: University of Minnesota Press.
Solanas F. and Getino, O. (2000). ‘Towards a Third Cinema.’ In Stam R., and Toby Miller, T., (Ed.), Film theory: An Anthology, London: Blackwell.
Spillers, H. (1987). ‘Mama’s Baby, Papa’s Maybe: An American Grammar Book,’ Diacritics, Summer.
Spivak, G. (1999). A critique of postcolonial reason, Cambridge: Harvard University Press.
Stiegler, B. (2010). For a vew critique of political economy, (trans.) Ross, D. London: Polity.
Tadiar, N. (2009). Things fall away, Durham: Duke University Press.
Terranova, T. (2003). ‘Free labor: Producing culture for the digital economy’
http://www.electronicbookreview.com/thread/technocapitalism/voluntary
Terranova T. (2004). Network culture: Politics for the information age, Pluto Press.
Ueshiba, M. (1985). in Ueshiba, Kisshomaru. Aikido Hozansha Publications, Tokyo.
Virno, P. (2004). A grammar of the multitude, MIT Press.
Vertov, D. (1984). Kino-eye: the writings of Dziga Vertov, Annette Michelson (Ed.), Los Angeles: University of California Press.
Wark, M. (2007). Gamer theory, Cambridge: Harvard UP.
Zizek, S. (26 January, 2012). ‘The Revolot of the Salaried Bourgeoisie’ in London Review of Books, 34(2), 9–10.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2013 Sense Publishers
About this chapter
Cite this chapter
Beller, J. (2013). Wagers Within the Image. In: Peters, M.A., Besley, T. (eds) The Creative University. Creative Education. SensePublishers, Rotterdam. https://doi.org/10.1007/978-94-6209-245-7_8
Download citation
DOI: https://doi.org/10.1007/978-94-6209-245-7_8
Publisher Name: SensePublishers, Rotterdam
Online ISBN: 978-94-6209-245-7
eBook Packages: Humanities, Social Sciences and LawEducation (R0)