Abstract
Music can be introduced into the curriculum as a means to offer students alternative ways to engage content and express their understanding. Beyond being a curricular tool, however, we believe that music, as a form of media, is itself something to be thoughtfully considered for the messages it conveys and the ways it is used by individuals and groups of people to promote or protest particular ideas (Clay, 2006; Stovall, 2006).
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
REFERENCES
Clay, A. (2006). All I need is one mic: Mobilizing youth for social change in the post-civil rights era. Social Justice, 33(2), 105–121.
de Freitas, E. (2005). Pre-service teachers and the re-inscription of whiteness: Disrupting dominant cultural codes through textual analysis. Teaching Education, 16(2), 151–164.
Hanley, M. S. (2007). Old school crossings: Hip hop in teacher education and beyond. New Directions for Adult and Continuing Education, 115, 35–44.
Maus, F. E. (1988). Music as drama. Music Theory Spectrum, 10 (Spring), 56–73.
Quaye, S. J. & Harper, S. R. (2007). Faculty accountability for culturally inclusive pedagogy and curricula. Liberal Education, 93(3), 32–39.
Stovall, D. (2006). We can relate: Hip-hop culture, critical pedagogy, and the secondary classroom. Urban Education, 41(6), 585–602.
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2011 Sense Publishers
About this chapter
Cite this chapter
Iverson, S.V., James, J.H. (2011). Songs of Citizenship: the Use of Music in the Classroom. In: Dowdy, J.K., Kaplan, S. (eds) Teaching Drama in the Classroom. SensePublishers. https://doi.org/10.1007/978-94-6091-537-6_11
Download citation
DOI: https://doi.org/10.1007/978-94-6091-537-6_11
Publisher Name: SensePublishers
Online ISBN: 978-94-6091-537-6
eBook Packages: Humanities, Social Sciences and LawEducation (R0)