Skip to main content

What Makes A Great High School Drama Teacher?

  • Chapter
Key Concepts in Theatre/Drama Education

Abstract

Many university drama education scholars began their careers as secondary school drama/theatre teachers; several, myself included, have chronicled their own teacher-as-researcher experiences with teenagers (e.g., Gallagher, 2000; Gonzalez, 1999; Gonzalez, Cantu, & Gonzalez, 2006; Hatton, 2001, 2003, 2004; McLauchlan, 2000, 2008; Owens, 2000; Yassa, 1999). From the different perspective of nonparticipant observer, I recently visited six drama classrooms in four publically funded secondary schools, with the aim of eliciting viewpoints about studying drama from students hitherto unknown to me. This article summarizes my discoveries about teenagers’ motivations to study drama and opinions related to effective drama pedagogy.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 49.99
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

References

  • Gallagher, K. (2000). Interrupting “Truths”, Engaging perspectives, and enlarging the concept of “Human” in classroom drama. Youth Theatre Journal, 14, 13–25.

    Article  Google Scholar 

  • Gonzalez, J. (1999). Directing high school theatre: The impact of student-empowerment strategies and unconventional staging techniques on actors, director, and audience. Youth Theatre Journal, 13, 4–21.

    Article  Google Scholar 

  • Gonzalez, J., Cantu, R., & Gonzalez, A. (2006). Staging whiteness: Possibilities for resistance and revelation in A High School Production of Simply Maria, or, The American Dream. Youth Theatre Journal, 20, 124–139.

    Article  Google Scholar 

  • Hatton, C. (2001). A girls’ own project: Subjectivity and transformation in girls’ drama. NJ (Drama Australia), 25(1), 21–30.

    Google Scholar 

  • Hatton, C. (2003). Backyards and borderlands: Some reflections on researching the travels of adolescent girls doing drama. Research in Drama Education, 8(2), 140–156.

    Article  Google Scholar 

  • Hatton, C. (2004). On the edge of realities: Drama, learning, and adolescent girls. NJ (Drama Australia), 28(1), 88–103.

    Google Scholar 

  • McLauchlan, D. (2000). Collaborative creativity in a high school drama class. Youth Theatre Journal, 15, 42–58.

    Article  Google Scholar 

  • McLauchlan, D. (2008). Factors constraining teacher choices of material for high school actors. Applied Theatre Research, 9.

    Google Scholar 

  • Owens, D. (2000). Gendered experiences in the drama classroom. NJ (Drama Australia), 24(1), 53–60.

    Google Scholar 

  • Yassa, N. (1999). High school involvement in creative drama. Research in Drama Education, 4(1), 37–49.

    Article  Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 2011 Sense Publishers

About this chapter

Cite this chapter

Mclauchlan, D. (2011). What Makes A Great High School Drama Teacher?. In: Schonmann, S. (eds) Key Concepts in Theatre/Drama Education. SensePublishers. https://doi.org/10.1007/978-94-6091-332-7_7

Download citation

Publish with us

Policies and ethics

Societies and partnerships