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Katharina Klement/Transformation and Morphing

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Patterns of Intuition

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Abstract

Transitions between harmonic fields are important to Katharina Klement’s work. The aim was to find specific principles for strategies of morphing to approximate her handcrafted transitions.

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Notes

  1. 1.

    Biographical introduction and texts from the composer translated from the German by Tamara Friebel.

  2. 2.

    Composer’s Desktop Project, Software package for Computer Music.

  3. 3.

    “Acousmatique: situation de pure écoute, sans que l’attention puisse dérvier ou se renforcer d’une causalité instrumentale visible ou prévisible”. Translated from the French, “acousmatic: the situation of pure hearing, where the attentive capacity is not reinforced through a visible or pre-envisaged instrumental causality”, see [2].

  4. 4.

    “Über Jahre hat sie das Dreigestirn Komposition, Improvisation und Elektronik sondiert und solange an der Auflösung der (auf Form, Material und Inhalt bezogenen) strikten Zuordnungsparameter gearbeitet, bis die drei endlich eins—und so zu ihrem Sternzeichen geworden sind”. Burkhard Stangl in the booklet for a Portrait-CD of K. Klement, Edition Zeitton ORF 2008, translation from the German from Lea Rennert.

  5. 5.

    As a process of continuous change, as communication, as translation, as transmission, as change between the concrete and the abstract.

  6. 6.

    Ursula Brandstätter in the booklet to the CD jalousie with works from Katharina Klement, 2012, from the German translated by Lea Rennert. Ursula Brandstätter, Professor for Music Teaching at the University of Art Berlin, since 2012 Vice-Chancellor of the Anton Bruckner Private University for Music, Dance and Acting in Linz, Author of many books in artistic topics such as [1].

  7. 7.

    Literally translated from “Bass(klarinette)”.

  8. 8.

    Reell leer roughly translates to “real empty”.

  9. 9.

    Schiff und Hut translates to “ship and hat”.

References

  1. Brandstätter U (2013) Erkenntnis durch Kunst. Theorie und Praxis der Ästhetischen Transformation. Böhlau

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  2. Misch I, von Blumröder C, Kersting A (2003) Klangbilder: Technik meines Hörens, vol 4. LIT, Münster

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Author information

Authors and Affiliations

  1. Institute for Composition and Electroacoustics, University of Music and Performing Arts Vienna, Vienna, Austria

    Katharina Klement

  2. Institute of Electronic Music and Acoustics, University of Music and Performing Arts Graz, Graz, Austria

    Daniel Mayer & Gerhard Nierhaus

Authors
  1. Katharina Klement
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  2. Daniel Mayer
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  3. Gerhard Nierhaus
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Corresponding author

Correspondence to Gerhard Nierhaus .

Editor information

Editors and Affiliations

  1. University of Music and Performing, Institute of Electronic Music and Acoustics, Graz, Austria

    Gerhard Nierhaus

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© 2015 Springer Science+Business Media Dordrecht

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Klement, K., Mayer, D., Nierhaus, G. (2015). Katharina Klement/Transformation and Morphing. In: Nierhaus, G. (eds) Patterns of Intuition. Springer, Dordrecht. https://doi.org/10.1007/978-94-017-9561-6_7

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  • DOI: https://doi.org/10.1007/978-94-017-9561-6_7

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  • Publisher Name: Springer, Dordrecht

  • Print ISBN: 978-94-017-9560-9

  • Online ISBN: 978-94-017-9561-6

  • eBook Packages: Computer ScienceComputer Science (R0)

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