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2.8 Moving from “Interesting Data” to a Publishable Research Article: Some Interpretive and Representational Dilemmas in a Linguistic Ethnographic Analysis of an English Literacy Lesson

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Abstract

This chapter explores the processes of case selection, data analysis, theoretical framing and representation in the move from research data to publication of a research article in a linguistic ethnographic study of classroom discourse and interaction. Over the course of our fieldwork in an East London primary school we observed and video-recorded a lesson in which the teacher invoked the televised talent show, X-factor, in organising the class to provide feedback on pupil writing. The subsequent 8-min episode intrigued us, so we spent a considerable amount of time analyzing it, and also played it back and discussed it with the teachers in the school. Ultimately, we published an article based on this episode: “Promises and Problems of Teaching with Popular Culture: A Linguistic Ethnographic Analysis of Discourse Genre Mixing” (Reading Research Quarterly, 2011). However, the move from “interesting episode” to published article was not at all straightforward. In this chapter we discuss the interpretive and representational dilemmas that we confronted in this process. In doing so, we reflect on the relationship between data and theory in linguistic ethnography, and on how academic institutions and genres impinge upon practices of interpretation and representation.

I have fundamental concerns with the match of the data episode being presented with the theoretical constructs being explored, with the presentation of data collection and analysis methods, and with the contribution being offered in this draft of the article, and so I’m recommending rejection of the manuscript. However, because I value the theoretical concepts being explored in this article and because I was intrigued by the episode, I do feel some regret about rejecting.

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Notes

  1. 1.

    Lefstein and Snell (2011a). The other three reviews were much more positive.

  2. 2.

    X Factor is a highly popular British television music talent show in which would-be pop stars audition in front of a panel of celebrity judges in order to demonstrate that they have what it takes to be a successful recording artist (i.e., the allusive “X Factor”). The show was originally aired in 2004 and has been exported throughout the world, including to the USA (American Idol), Canada (Canadian Idol), France (Nouvelle Star), Brazil (Ídolos), and the Arab States Emirates (Super Star).

  3. 3.

    These researchers have joined the Linguistic Ethnography Forum (www.lingethnog.org/), and attended regular annual conferences, seminars, and colloquia. Set up in 2001, UKLEF now has over 400 members, around half of whom are UK based.

  4. 4.

    See Lehrer (2012) for an introduction to and critique of brainstorming and Berkun (2012) for a response to Lehrer.

  5. 5.

    Defined broadly as “a pedagogy that exploits the power of talk to engage and shape children’s thinking and learning, and to secure and enhance their understanding” (Alexander 2008, p. 92). For further discussion, see Lefstein (2010) and Lefstein and Snell (2011c).

  6. 6.

    A pseudonym, as are all names of teachers and pupils used in this chapter.

  7. 7.

    For more details on the professional development component of the project, see Lefstein and Snell (2011b).

  8. 8.

    For a comprehensive analysis of this episode, readers are recommended to consult the original article (Lefstein and Snell 2011a).

  9. 9.

    See Lefstein and Snell (2011a) for a more detailed exposition.

  10. 10.

    Students were also able to instigate a change in footing, though in practice only certain students (i.e., those who were often at the center of classroom discussion) took advantage of this opportunity).

  11. 11.

    We do not aim to provide an exhaustive analysis of the episode here but rather demonstrate how our interpretation takes advantage of linguistic ethnographic key concepts and principles.

  12. 12.

    An additional complication that Goffman’s production format does not account for; perhaps an additional role of “plagiarizer” would be appropriate.

  13. 13.

    See Lefstein and Snell (2011a) for a full account of the phenomena that seem to us particularly noteworthy for future study of discourse genres and their interaction in classrooms.

  14. 14.

    See Lefstein and Snell (2011a) for detailed analysis.

  15. 15.

    We distinguish between structural, epistemic, interpersonal, substantive, and political dimensions of dialogic pedagogy (Lefstein 2010; Lefstein and Snell 2011c).

  16. 16.

    Amanda Holden and Piers Morgan were judges on Simon Cowell’s show Britains Got Talent.

  17. 17.

    Further consideration of the relationship between linguistic ethnographic and professional cultures can be found in Lefstein and Snell (2011b).

  18. 18.

    Ms. Leigh may also have been as confused about these evaluations as we were—recall that most pupils followed William’s lead in orienting to available frameworks for assessment rather than to the actual stories in voicing their assessments.

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Snell, J., Lefstein, A. (2015). 2.8 Moving from “Interesting Data” to a Publishable Research Article: Some Interpretive and Representational Dilemmas in a Linguistic Ethnographic Analysis of an English Literacy Lesson. In: Smeyers, P., Bridges, D., Burbules, N., Griffiths, M. (eds) International Handbook of Interpretation in Educational Research. Springer International Handbooks of Education. Springer, Dordrecht. https://doi.org/10.1007/978-94-017-9282-0_22

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