Abstract
The literature of social criticism is vast indeed — so vast, in fact, that even a brief consideration of all the writing that falls within this category in the period of time we have chosen for this study, would require a book of encyclopedic length. Better than asking what constitutes the literature of social criticism is the question of what is not comprised under that all-embracing rubric. Even those productions which we have classified under asocial literature and which seems to be remote from the life of social institutions or the play of politics prove, on closer examination, to be instinct with damaging social implications. As a matter of fact, politics encompasses all of life and is therefore inescapable. It is accordingly impossible as well as irresponsible, in the judgment of some critics, to stand apart from or above the battle. To remain non-political in a world that is full of conflict is to accept the world as it is; it is to renounce the idea that one is an active member of his society, who must bear the guilt for failure to do his part in shaping the world. Looked at in this light, all literature, however fantastic or mystical in content, is animated by a profound social concern, and this is true of even the most flagrant nihilistic work.
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References
Eric Kahler, The Tower and the Abyss. New York: George Braziller, Inc., 1957, p. 149.
Bronislaw Malinowski, Freedom and Civilization. New York: Roy Publishers, 1944, p. 33.
According to Helen Merrell Lynd, the search for identity is a social as well as individual problem. “The kind of answer one gives to the question Who am I? depends in part upon how one answers the question What is this society — and the world — in which I live?” Helen Merrell Lynd, On Shame and the Search for Identity. New York: Harcourt, Brace and Company, 1958, p. 15.
Leonard Forster, Poetry of Significant Nonsense. Cambridge: At the University Press, 1962, p. 27.
Robert Motherwell, The Dada Painters and Poets. New York: Wittenborn, Schultz, 1951, p. 77.
For the social and historical background of the Surrealist movement, see Maurice Nadeau, The History of Surrealism. Translated by Richard Howard. New York: The Macmillan Company, 1965.
Germaine Brée, Gide. New Brunswick, New Jersey: Rutgers University Press, 1963, p. 2.
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© 1972 Springer Science+Business Media Dordrecht
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Glicksberg, C.I. (1972). The Problem of Definition. In: Literature and Society. Springer, Dordrecht. https://doi.org/10.1007/978-94-017-4851-3_6
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DOI: https://doi.org/10.1007/978-94-017-4851-3_6
Publisher Name: Springer, Dordrecht
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