Abstract
According to Bachelard, poetic reverie is intimately connected with the state of well-being. He states repeatedly: “Reverie teaches us that the essence of being is well-being”;1 and “reverie is a consciousness of well-being”;2 and again, “There is no well-being without reverie. No reverie without well-being”.3 This paper attempts to substantiate this claim by an analysis of selected poems from the Shih-p’in,which is a collection of poems attributed to the ninth-century Chinese poet/critic Ssu-k’ung T’u.
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Notes
Gaston Bachelard, The Poetics of Reverie, translated by Daniel Russell (Boston: Beacon, 1969), p. 193.
Ibid., pp. 177–178.
Ibid., pp. 152–153.
Gaston Bachelard, On Poetic Imagination and Reverie/Selections from the Works of Gaston Bachelard,translated by Colette Gaudin (Indianapolis, NY: Bobbs-Merrill, 1971), p. xxviii.
R. Kearney, Poetics of Imagining/From Husserl to Lyotard (London: Harper Collins, 1991), p. 99.
William Gray, “Understanding Creative Thought Processes: An Early Formulation of the Emotional-Cognitive Structure Theory”, Man-Environment Systems, Vol. 9, no. 1 (1979), p. 3, abstract.
Ibid.
Ibid., p. 7.
Ibid.
Taio-kung Wu, “Ssukung Tu’s Poetic Criticism”, Chinese Literature, Vol. 7 (1963), p. 78.
Stephen Owen, Readings in Chinese Literary Thought (Cambridge, MA: Harvard University, 1992), p. 299.
A. Rickett (Ed.), Chinese Approaches to Literature from Confucius to Liang Ch’iCh’ao (Princeton, NJ: Princeton University, 1978), p. 14.
Quoted in Shaoyu Guo, Zhongguo wenxue piping shi [History of Chinese Literary Criticism] (Taibei: Wenshizhe chubanshe, 1990), p. 293.
Du Songbo, Chan xue yu Tang Song shi xue [Zen and Poetics of Tang and Song Dynasties] (Taibei: Liming, 1976), p. 417.
Ibid., p. 419.
Ibid.
Ibid., p. 417.
Quoted in Guo Shaoyu, Zhongguo gudian wenxue lilun piping shi [History of Chinese Theories of Classical Literature] (Beijing: Renmin wenxue, 1959), p. 257.
Gray, “Creative Thought Processes”, op. cit.,p. 11.
Ibid., p. 10.
Ibid., p. 11.
Owen, Readings,op. cit., p. 339.
Gray, “Creative Thought Processes”, op. cit., p. 7.
According to Owen, the images presented in these lines refer to “the cosmic fulfillment of human will, appropriate to a conquering emperor” (in Readings, op. cit., p. 332).
Ibid., p. 329.
Bachelard, Poetics of Reverie, op. cit., p. 88.
In Bachelard, Poetic Imagination, op. cit., p. xxxii.
Bachelard, Poetics of Reverie, op. cit., p. 176.
Ibid.
Ibid., p. 175.
Bachelard, Poetic Imagination, op. cit., p. 60.
See V. Vycinas, Earth and Gods/An Introduction to the Philosophy of Martin Heidegger (The Hague: Martinus Nijhoff, 1961).
Bachelard, Poetics of Reverie., op. cit., p. 117.
Ibid., p. 116.
Owen, Readings,op. cit., p. 313.
Ibid., p. 315.
Gray, “Creative Thought Proceses”, op. cit., p. 10.
Bachelard, Poetics of Reverie, op. cit., p. 175.
See Martin Heidegger, Poetry, Language, Thought, translated by Albert Hofstadter (New York: Harper & Row, 1971).
Ibid.
Bachelard, Poetics of Reverie, op. cit., p. 175.
Bachelard, Poetic Imagination, op. cit., p. 20.
Ibid., p. 87.
Owen, Readings, op. cit., p. 343.
Ibid., p. 322.
Ibid., p. 315.
Ibid., p. 316.
Owen’s translation of line 5 is based on a different text, which reads: “In the last of the fog by the water’s edge” (Readings, op. cit., p. 322). The alternate text that we choose to cite is also translated by Owen (Ibid., “Line 5”).
Ibid., p. 322.
Du, Chan xue, op. cit., p. 418.
Owen, Readings, op. cit., p. 322.
Hsien-yi Yang and Gladys Yang, trans., “The Twenty-four Modes of Poetry”, Chinese Literature, Vol. 7 (1963), p. 69.
Ibid.
Owen, Readings,op. cit., p. 315.
Du, Chan xue, op. cit., p. 419.
Owen, Readings.,op. cit., p. 317.
Wu, “Ssukung Tu’s”, op. cit., p. 81.
Bachelard, Poetic Imagination, op. cit., p. 37.
Ibid., p. 19.
Owen, Readings, op. cit., p. 322.
Yang & Yang, “The Twenty-four Modes”, op. cit., p. 69.
Gray, “Creative Thought Processes”, op. cit., p. 11.
Ibid., p. 10.
Ibid.
Ibid.
Bachelard, Poetics of Reverie, op. cit., p. 16
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Sundararajan, L. (1998). Reveries of Well-Being in the Shih-P’ in: From Psychology to Ontology. In: Tymieniecka, AT. (eds) Enjoyment. Analecta Husserliana, vol 56. Springer, Dordrecht. https://doi.org/10.1007/978-94-017-1425-9_4
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