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Hermann von Helmholtz and Ernst Mach on Musical Consonance

  • Gianni Zanarini
Chapter
Part of the Synthese Library book series (SYLI, volume 295)

Abstract

In 1855, a young professor of anatomy and physiology in the University of Bonn (he was then only 34 years old) wrote a letter to a friend, who was also an academic colleague: indeed, he taught physiology in the University of Berlin. In that letter, the sender expressed his intention to devote himself to the study of acoustics. One year after, his scientific project was already well defined, and he could proudly write: “I have gradually accumulated a considerable amount of material for the reform of physiological acoustics.”1

Keywords

Sensory Experience Complex Sound Fundamental Tone Musical Sound Musical Interval 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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Copyright information

© Springer Science+Business Media Dordrecht 2001

Authors and Affiliations

  • Gianni Zanarini
    • 1
  1. 1.Dipartimento di FisicaUniversità di BolognaBolognaItaly

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