Skip to main content

Jazz and the African-American Experience: The Expressiveness of African-American Music

  • Chapter
  • 134 Accesses

Part of the book series: Synthese Library ((SYLI,volume 240))

Abstract

While Paul never published articles in the area of Ethics, he nonetheless read a great deal of ethical theory. He concluded that there were too many mush-heads doing ethics. When asked which ethicists he thought worth reading, he suggested Bentham, Prichard, Hegel’s Philosophy of Right, Bradley’s essays, and the ethical writings of Amartya Sen. That he suggested these writers did not mean he endorsed their positions. Over the years, we discussed his approach to philosophy and why he attacked what was often thought to be “sacred doctrines.” In the end, his work has always had as one of its goal to stop mush headed thinking.

This is a preview of subscription content, log in via an institution.

Buying options

Chapter
USD   29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD   129.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD   169.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD   169.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Learn about institutional subscriptions

Preview

Unable to display preview. Download preview PDF.

Unable to display preview. Download preview PDF.

Notes

  1. Alphonso Pinkney, Red, Black, and Green: Black Nationalism in the United States ( Cambridge: Cambridge University Press, 1978 ), p. 76.

    Google Scholar 

  2. Ibid., pp. 76–80.

    Google Scholar 

  3. Ibid., chapter 7.

    Google Scholar 

  4. The Black Panther Party denounced cultural nationalists, calling them “pork-chop” nationalists. Ibid., p. 123.

    Google Scholar 

  5. Kofsky, Frank. “Black Nationalism in Jazz” in The Journal of Ethnic Studies 10(2), pp. 1–27.

    Google Scholar 

  6. Kofsky, Frank. Black Nationalism and the Revolution in Music ( New York: Pathfinder Press, 1970 ).

    Google Scholar 

  7. Robert Francesconi, “Free Jazz and Black Nationalism: A Rhetoric of Musical Style”, in Critical Studies in Mass Communication 3(1986), pp. 36–49.

    Google Scholar 

  8. Ibid., p. 40.

    Google Scholar 

  9. Ibid., p. 41.

    Google Scholar 

  10. Ibid., p. 40.

    Google Scholar 

  11. Ibid., p. 40.

    Google Scholar 

  12. John Coltrane Live at Birdland Impulse AS 50.

    Google Scholar 

  13. An earlier version of this paper was read at the Oxford Centre for African Studies, Oxford

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Editor information

Editors and Affiliations

Rights and permissions

Reprints and permissions

Copyright information

© 1994 Springer Science+Business Media Dordrecht

About this chapter

Cite this chapter

Lawson, B.E. (1994). Jazz and the African-American Experience: The Expressiveness of African-American Music. In: Jamieson, D. (eds) Language, Mind, and Art. Synthese Library, vol 240. Springer, Dordrecht. https://doi.org/10.1007/978-94-015-8313-8_10

Download citation

  • DOI: https://doi.org/10.1007/978-94-015-8313-8_10

  • Publisher Name: Springer, Dordrecht

  • Print ISBN: 978-90-481-4391-7

  • Online ISBN: 978-94-015-8313-8

  • eBook Packages: Springer Book Archive

Publish with us

Policies and ethics