Abstract
This title is meant to sound somewhat paradoxical, since from the early 18th century aesthetic taste and judgment are closely linked, ifnot identified. In ordinary discourse as well, then as now, the two concepts seem happily married. To have good taste is to exercise good judgment in aesthetic matters or social graces, and a tasteless remark is one made with poor judgment or even, we sometimes say, with no judgment at all. In these senses, taste and judgment are similar mental functions, or, in older language, related faculties or powers of the mind.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Bibliography
Addison, Joseph, ‘Essays on the Pleasures of the Imagination’, The Spectator, numbers 411–421 (21 June — 3 July 1712). Reprinted Oxford: Clarendon Press, 1965.
Bond, Donald F., ‘”Distrust” of Imagination in English Neo-Classicism’, Philosophical Quarterly, 14 (1935); 54–69.
Gerard, Alexander, An Essay On Taste. London: A. Millar, 1759.
Hartley, David, Observations on Man, His Frame, His Duty, and His Expectations. Hildesheim: G. Olms, 1967 (Reprint of 1749 ed.).
Hinske, Norbert, Wolfgang Müller-Lauter, and Michael Theunissen, eds., Immanuel Kant, Erste Einleitung the bad with the good, and understanding individual intentions and artistic styles. in die Kritik der Urteilskraft. Facsimile and transcription. Stuttgart: Frommann-Holzboog Verlag, 1965.
Hogarth, William, The Analysis of Beauty. Edited with an introduction by Joseph Burke. Oxford: Clarendon Press, 1955.
Hume, David, ‘Of the Standard of Taste’. Reprinted in Essays: Moral, Political and Literary. Oxford: Oxford University Press, 1963.
Hutcheson, Francis, An Inquiry into the Original of Our Ideas of Beauty and Virtue. London: J. and J. Knapton et al., 1729.
Kallich, Martin, The Association of Ideas and Critical Theory in Eighteenth-Century England. The Hague: Mouton & Co., 1970.
Kames, Henry Home, Lord, Elements of Criticism. Edinburgh: A. Kincaid and J. Bell, 1762. Reprinted New York: Johnson Reprint Corp., 1967.
Kivy, Peter, The Seventh Sense: A Study of Francis Hutcheson’s Aesthetics and Its Infl uence in Eighteenth-Century Britain. New York: Burt Franklin & Co., 1976.
Reid, Thomas, The Works of Thomas Reid, edited by Sir William Hamilton. Eighth edition, 2 volumes. London: Longmans, Green & Co., 1895.
Thomas Reid’s Lectures on the Fine Arts. Transcribed from the original manuscript, with an introduction and notes, by Peter Kivy. The Hague: Martinus Niihoff, 1973.
Shaftesbury, Anthony Ashley Cooper, Third Earl of, Characteristics of Men, Manners, Opinions, Times. Two volumes, edited by John M. Robertson. London: Grant Richards, 1900. Reprinted Indianapolis/New York: Bobbs-Merrill, 1964.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 1993 Springer Science+Business Media Dordrecht
About this chapter
Cite this chapter
Crawford, D.W. (1993). Is There a Conflict Between Taste and Judgment in Kant’s Aesthetics?. In: Dancy, R.M. (eds) Kant and Critique: New Essays in Honor of W.H. Werkmeister. Synthese Library, vol 227. Springer, Dordrecht. https://doi.org/10.1007/978-94-015-8179-0_6
Download citation
DOI: https://doi.org/10.1007/978-94-015-8179-0_6
Publisher Name: Springer, Dordrecht
Print ISBN: 978-90-481-4261-3
Online ISBN: 978-94-015-8179-0
eBook Packages: Springer Book Archive