Abstract
With Domenico di Bartolo we reach in the history of Sienese painting the transition between the Gothic style and that of the Renaissance and, as will be seen in the following pages, Domenico as an artist of the Renaissance is a figure of considerable interest.
Vasari-Milanesi, II, p. 40. H. J. Wagner, Domenico di Bartolo Ghezzi, 5° Theil von: Das Dompaviment v. Siena Meister, Desertation, Göttingen, 1987–8. W. Bombe, Repert. f. Kunstw., XXXII, 1911, p. 568. B. C. K., in Thieme Becker, Künstler Lexikon, XIII, p. 535.
This is a preview of subscription content, log in via an institution to check access.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Literatur
G. De Nicola, Priamo della Quercia, Rassegna d’Arte, XVIII, 1918, p. 69; appendix, idem, p. 153.
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 1927 Springer Science + Business Media B.V.
About this chapter
Cite this chapter
Van Marle, R. (1927). Domenico di Bartolo and Priamo della Quercia. In: The Development of the Italian Schools of Painting. Springer, Dordrecht. https://doi.org/10.1007/978-94-015-2792-7_7
Download citation
DOI: https://doi.org/10.1007/978-94-015-2792-7_7
Publisher Name: Springer, Dordrecht
Print ISBN: 978-94-015-1658-7
Online ISBN: 978-94-015-2792-7
eBook Packages: Springer Book Archive