Abstract
Once upon a time I was sitting in the garden. The lilacs and the lilies of the valley united their sweet aromas to a smiling fragrance of spring. A friend came, remarked on the beautiful scent and unconcernedly lit a cigarette. This time, the odors did not merge to form a consonance; here were the flowers, there was the poignant tobacco smoke, foreign to one another and almost hostile. Yet I took them in, each in its own right; I focused my attention now on the blooms, now on the cigarette, without attempting at a fusion and without needing one. It was a pleasant coexistence, not an integration, of different olfactory perceptions.
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References
Zygmunt Estreicher, La musique des Esquimaux-Caribous, in Bulletin de la Société Neuchâteloise de Géographie, vol. 54 (1948), p. 4. — Cf. EFw FE 4444 (P 444) I 1, FE 4445 (P 445) II 7.
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See, in this connection, also Jaap Kunst, The origin of the kemanak, in Bijdragen tot de Taal-, Land-en Volkenkunde, Deel 116 (1960) p. 263–269.
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© 1961 Martinus Nijhoff, The Hague, Netherlands
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Sachs, C. (1961). Cross- or Polyrhythm. In: Kunst, J. (eds) The Wellsprings of Music. Springer, Dordrecht. https://doi.org/10.1007/978-94-015-1059-2_8
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DOI: https://doi.org/10.1007/978-94-015-1059-2_8
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