Abstract
In the course of this treatise we have already dealt extensively with copyright and the several legal rights for the author originating therefrom. It was in the nature of this work that we practically only concerned ourselves with two exclusive rights of the author, viz.: the right of mechanical reproduction and the right of public performance, in pursuance of which anyone wishing to undertake one of these exploitations must obtain the previous consent of the author, or that of the person to whom the author has assigned the exclusive right in question.
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References
Translated from Dutch “rentmeester”, a term used by J. M. A. M. Douwes in his brochure: „Muziekauteursrecht in Nederland in de practijk”, Zwolle, 1948, p. 12. 2) See table A, p. 220
In this connection we can, for instance, mention: Chappell & Co Ltd; The Peter Maurice Music Company Ltd; B. Feldman Ltd; Francis Day, etc.
See table B, p. 222.
See table C, p. 221.
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© 1952 Springer Science + Business Media B.V.
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Mak, W. (1952). The Practical Side of Musical Copyright. In: Rights Affecting the Manufacture and Use of Gramophone Records. Springer, Dordrecht. https://doi.org/10.1007/978-94-015-0841-4_8
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DOI: https://doi.org/10.1007/978-94-015-0841-4_8
Publisher Name: Springer, Dordrecht
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