Abstract
Goethe, while discussing Schiller, explained to Eckermann that Schiller was unable to find “useful nature” in his environment and for that reason had to resort to history and philosophy.1 The Esthetic Letters were the culminating result of this withdrawal from his environment into intellectual disciplines. They form the climax of the development that led from Schiller’s early thinking in dramatic contrasts (in his lyrics and first historical writings) to the dialectic logic that produced the concept of the Esthetic State.
Free man himself is the source of his deeds. Aristotle
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References
Eckermann, op. cit., p. 202.
Quoted by G. Schultz, Introduction to Vol. 27 of the National-Ausgabe, Weimar, 1958, p. 237.
Herman Meyer, op. cit., p. 344.
March 2nd, 1795. Jonas, IV, p. 140.
G. Schulz, op. cit., p. 237.
Quoted by Tomaschek, op. cit., p. 436
Meinecke, F. The German Catastrophe. Cambridge, 1950, p. 34.
Die Vorsokratiker, ed. Wilhelm Nestle, Jena, 1908, p. 119.
Werke (HA) XVII, 138.
Spinoza, “Ethices pars prima,” def. VII, op. cit., Vol. I, p. 37: “Ea res libera dicetur, quae ex sola suae naturae necessitate existit.” This is very much related to Schiller’s “Idea of the absolute Self, founded in itself, that is freedom.” Werke (HA) XI, 38.
John Stuart Mill, On Liberty, London, 1859, 2nd. ed. p. 187.
Enneades, LII, 1.
Schwab, Gustav, Schiller’s Leben, Stuttgart, 1840, p. 763.
Madame de Staël, op. cit., II, p. 95.
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© 1965 Martinus Nijhoff, The Hague, Netherlands
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Regin, D. (1965). Conclusion. In: Freedom and Dignity. Springer, Dordrecht. https://doi.org/10.1007/978-94-011-9097-8_11
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