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Roman Ingarden’s Philosophy of Culture

An Attempt at a Reconstruction

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Creative Virtualities in Human Self-Interpretation-in-Culture

Part of the book series: Analecta Husserliana ((ANHU,volume 55))

Abstract

Even a very ambitious attempt at investigating Roman Ingarden’s academic work1 does not include his work in the field of philosophy of culture. Simultaneously, his ontology and aesthetics inspire a large body of philosophical and detailed studies of culture. The thinker, who allegedly did not create philosophy of culture, finds his followers and polemicists among those who enter the cultural lists.

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Notes

  1. Danuta Gierulanka, “Filozofia Roman Ingardena. Próba wniknigcia w strukturg calosci dziela,” in: “Fenomenologia Romana Ingardena,” special edition of Studia Filozoficzne (Warsaw: 1972), pp. 71–90.

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  2. Roman Ingarden, Studia z estetyki, Vol. 1 (Warsaw: 1957), pp. 249–250, 275.

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  3. Roman Ingarden, Studia z estetyki, Vol. 3 (Warsaw: 1970), p. 6.

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  4. Roman Ingarden, Spór o istnienie swiata [Controversy about the Existence of the World], Vol. I (Krakow: 1947), Vol. 2 (Krakow: 1948). Further on I will refer to the revised 3rd edition (Warsaw: 1987).

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  5. Maria Golaszewska points to Ingarden’s incoherence in Controversy about the Existence of the World and Little Book about Man. Cf. Studia Filozoficzne, 1975: No. 7, pp. 125 WIadyslaw Stróîewski argues with her conclusions: Wladyskaw Stróiewski, Istnienie i warto.6 (Krakow: 1981), pp. 108–109.

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  6. Ingarden, Spór o istnienie swiata, Vol. 2, op. cit., Pt. 2, p. 194.

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  7. Roman Ingarden, Ksigieczka o czfowieku, 4th ed. (Krakow: 1987), pp. 116–148.

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  8. Ibid., p. 24.

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  9. Ibid., p. 35.

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  10. Roman Ingarden, Z teorii jezyka i filozoficznych podstaw logiki (Warsaw: 1972), p. 58.

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  11. Ingarden, Ksigieczka o czfowieku, op. cit., p. 17.

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  12. Ibid., p. 24.

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  13. Ibid., p. 63.

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  14. Roman Ingarden, Das literarische Kunstwerk. Eine Untersuchung aus dem Grenzgebiet der Ontologie, Logik und Literaturwissenschaft (Halle: 1931). Polish translation (Warsaw: 1960).

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  15. Ingarden, Spór o istnienie swiata, op. cit., Vol. 1, p. 249.

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  16. Ingarden, Das literarische Kunstwerk, op. cit., pp. 374–379. Cf. O dziele literackim, 2nd edition (Warsaw: 1988), pp. 441–447.

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  17. Ibid., p. 14.

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  18. Ingarden, Spór o istnienie swiata. op. cit., Vol. 2 Pt. 2, pp. 100–107.

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  19. Roman Ingarden, Wyklady i dyskusje z estetyki (Warsaw: 1981), p. 185.

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  20. Ingarden, Spór o istnienie swiata, op. cit., Vol. 2 Pt. 2, pp. 195–203.

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  21. Ibid., pp. 203–207.

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  22. Ibid., p. 207.

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  23. Roman Ingarden, O dziele literackim (Warsaw: 1960, 1988), pp. 190–193.

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  24. Ingarden, Spór o istnienie swiata, op. cit., Vol. 2, 2nd edition (Warsaw: 1962), p. 271.

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  25. The best proof are Ingarden’s own analyses of particular works of art.

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  26. Roman Ingarden, “Czego nie wiemy o wartosciach,” Studia z estetyki, Vol. 3, p. 236.

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  27. Ingarden discusses the essential problems of the theory of values in the mentioned work. Cf. ibid., p. 221.

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© 1998 Springer Science+Business Media Dordrecht

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Majewska, Z. (1998). Roman Ingarden’s Philosophy of Culture. In: Tymieniecka, AT. (eds) Creative Virtualities in Human Self-Interpretation-in-Culture. Analecta Husserliana, vol 55. Springer, Dordrecht. https://doi.org/10.1007/978-94-011-4890-0_8

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  • DOI: https://doi.org/10.1007/978-94-011-4890-0_8

  • Publisher Name: Springer, Dordrecht

  • Print ISBN: 978-94-010-6050-9

  • Online ISBN: 978-94-011-4890-0

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