Abstract
All the objects of human knowledge may be divided into two kinds: those of body and those of mind. The arts and sciences may likewise be divided into two great branches, concerning things material & immaterial. Theology, pneumatology, logic, &c. derive their first principles from the philosophy of the mind; they are ad[d]ress’d to it, and are intended to produce some effect upon it. Astronomy, medicine, chymistry, physics, botany, &c, and all the arts of human life derive their first principles from the philosophy of body and are intended to produce some effect upon it.
Keywords
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Reference
Georg Ernst Stahl, 1660–1734.
George Cheyne, 1671–1743.
Herman Boerhave, 1668–1738.
Robert Whyte, 1714–1766.
The remarks in parenthesis were written by Reid on a separate sheet with a sign showing where, im the body of the text, they were to be inserted. The works referred to are William Hogarth’s The Analysis of Beauty (1753)
and Joseph Spence’s Crito: Or, A Dialogue on Beauty (1752).
The Spectator, in the series of papers “On the Pleasures of the Imagination” (1712).
Mark Akenside, The Pleasures of Imagination (1744).
The naturalists, Sir Joseph Banks (1743–1820) and Daniel Solander (1736–1782), accompanied Cook on his voyage in “Endeavour.”
John Baillie, Essay on the Sublime (1747);
Edmund Burke, A Philosophical Enquiry into the Origin of our Ideas of the Sublime and Beautiful (1757);
Alexander Gerard, An Essay on Taste (1759).
Historical Draught or Tablature of the Judgment of Hercules (1713), included in the 1714 edition of the Characteristicks.
Rights and permissions
Copyright information
© 1973 Martinus Nijhoff, The Hague, Netherlands
About this chapter
Cite this chapter
Reid, D. (1973). Lectures on the Fine Arts. In: Thomas Reid’s Lectures on the Fine Arts. Archives Internationales D’Histoire des Idees / International Archives of the History of Ideas, vol 7. Springer, Dordrecht. https://doi.org/10.1007/978-94-010-2445-7_2
Download citation
DOI: https://doi.org/10.1007/978-94-010-2445-7_2
Publisher Name: Springer, Dordrecht
Print ISBN: 978-90-247-1539-8
Online ISBN: 978-94-010-2445-7
eBook Packages: Springer Book Archive