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Making Music Together

A Study in Social Relationship
  • Alfred Schutz
Chapter
Part of the Phaenomenologica book series (PHAE, volume 15)

Abstract

Music is a meaningful context which is not bound to a conceptual scheme. Yet this meaningful context can be communicated: The process of communication between composer and listener normally requires an intermediary: an individual per-former or a group of co-performers. Among all these participants there prevail social relations of a highly complicated structure.

Keywords

Collective Memory Communicative Intent Musical Notation Outer World Musical Experience 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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References

  1. 2.
    G. H. Mead, Mind, Self, and Society, Chicago, 1937, pp. 14, 63, 253ff.Google Scholar
  2. 7.
    Donald Francis Tovey, “Music,” in Encyclopaedia Britannica, 14th ed.Google Scholar
  3. 8.
    Virgil Thompson, The Art of Judging Music, New York, 1948, p. 296.Google Scholar
  4. 8.
    Wilhelm Furtwüngler, “Interpretation — eine musikalische Schicksalfrage,” in Das Atlantisbuch der Musik, Zurich, 1934, pp. 609ff.Google Scholar
  5. 18.
    Donald Francis Tovey, Beethoven, London-New York, 1945, p. 57.Google Scholar

Copyright information

© Martinus Nijhoff, The Hague, Netherlands 1976

Authors and Affiliations

  • Alfred Schutz

There are no affiliations available

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