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Blackbirds and Black Butterflies

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Refiguring the Archive

Abstract

In 1636, Prince Johan Maurits van Nassau-Siegen sailed from Amsterdam to take up his position as governor of the Dutch West India Company colony in Brazil; a charge that included South America, the Caribbean and the West African coast. Maurits’ entourage included botanists, astronomers and artists and the governor established a botanical garden into which he attempted to gather every species of plant and animal: ‘every kind of bird and animal that he could find . . . parrots, macaws, jacifs, canindes, wading-birds, pheasants, guinea-fowl, ducks, swans, peacocks, turkeys, a great quantity of barnyard-fowls . . . tigers, ounces, cissuarana, ant-bears, apes, quati, squirrel-monkeys, Indian boars, goats from Cape Verde, sheep from Angola, cutia, pagua, tapirs, wild boars, a great multitude of rabbits . . .’3 When Maurits returned to the Netherlands he turned his palace at The Hague into a private museum of his Brazilian collections and, years later, sent a ‘curiosity cabinet’ to Louis XIV in the hope that its contents would be used as models in the Gobelin tapestry factory and woven into a perpetual representation of his achievements.4

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Carolyn Hamilton Verne Harris Jane Taylor Michele Pickover Graeme Reid Razia Saleh

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Hall, M. (2002). Blackbirds and Black Butterflies. In: Hamilton, C., Harris, V., Taylor, J., Pickover, M., Reid, G., Saleh, R. (eds) Refiguring the Archive. Springer, Dordrecht. https://doi.org/10.1007/978-94-010-0570-8_19

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