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An old woman reading, probably the prophetess Anna (commonly called Rembrandt’s mother)

  • J. Bruyn
  • B. Haak
  • S. H. Levie
  • P. J. J. Van Thiel
  • E. Van De Wetering
Part of the Stichting Foundation Rembrandt Research Project book series (RRSE, volume 1)

Abstract

A not entirely well preserved but undoubtedly authentic work, reliably signed and dated 1631. The interpretation of the subject as the prophetess Anna is plausible.

Keywords

Paint Surface Cast Shadow Open Page Dark Grey Graphic Reproduction 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

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References

  1. 1.
    Cf. Bauch, Eckstein, Meier-Siem, p. 491.Google Scholar
  2. 2.
    J. A. Emmens, ‘Rembrandt’s teachers and contemporaries’ in: Rembrandt after three hundred years: a symposium — Rembrandt and his followers, Chicago 1969, pp. 113–130, esp. p. 123; idem, Rembrandt e la sua concezione dell’arte. Conferenza tenutail 20 aprile 1970, Florence 1978, p. 30.Google Scholar
  3. 3.
    Tümpel 1971, p. 31.Google Scholar
  4. 4.
    C. G. Campbell, Studies in the formal sources of Rembrandt’s figure compositions, typescript dissertation University of London 1971, p. 152.Google Scholar
  5. 5.
    H.-M. Rotermund, ‘Rembrandts Bibel’, N. K.J. 8 (1957), pp. 123–150, esp. 131–134.Google Scholar
  6. 6.
    Chr. Tümpel, Rembrandt, Amsterdam 1975 (De grote meesters), p. 12.Google Scholar
  7. 7.
    J. Smith, A catalogue raisonné of the works of the Dutch, Flemish and French painters VII, London 1836, no. 592.Google Scholar

Copyright information

© Stichting Foundation Rembrandt Research Project MCMLXXXII, Martinus Nijhoff Publishers 1982

Authors and Affiliations

  • J. Bruyn
  • B. Haak
  • S. H. Levie
  • P. J. J. Van Thiel
  • E. Van De Wetering

There are no affiliations available

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