Abstract
Before we tackle our main theme, let us remember some ideas of Plato and Aristotle. Perhaps not Newton, but certainly Goethe was well aware of a historical continuity ever since antiquity. The Third Part of his Theory of Colours - in the German original “Die Farbenlehre” - is devoted to its history because, as Goethe explains in the Preface of the work, he thinks “that the history of science is science itself”, - “daß die Geschichte der Wissenschaft die Wissenschaft selbst sei.”1
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Notes
Koelbing ,Das Problem der visuellen Wahrnehmung in der Antike, im Mittelalter und in der Renaissance, Fortschr. Ophthalmol., 80 (1983), 11–14.
Schramm, Matthias ,Zur Entwicklung der physiologischen Optik in der arabischen Literatur, Sudhoffs Archiv 43 (1959), 288–316. My translation.
Helmholtz, Hermann von; Handb. der physiolog. Optik, 3. Aufl., vol. 2 ,Hamburg/Leipzig 1911, p. 96.
Heisenberg ,Werner ,Das Naturbild Goethes und die technischnaturwissenschaftliche Welt, in: Die Grossen der Weltgeschichte, vol. 7, Zürich 1976, p. 66–73.
Wolfgang Jaeger ,Goethes Untersuchungen an Farbenblinden, in Heidelberger Jahrbücher 23 (1979), 27–38.
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© 1988 D. Reidel Publishing Company
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Koelbing, H.M. (1988). Newton’s and Goethe’s Colour Theories — Contradictory or Complementary Approaches?. In: Batens, D., Van Bendegem, J.P. (eds) Theory and Experiment. Synthese Library, vol 195. Springer, Dordrecht. https://doi.org/10.1007/978-94-009-2875-6_12
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