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Newton’s and Goethe’s Colour Theories — Contradictory or Complementary Approaches?

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Theory and Experiment

Part of the book series: Synthese Library ((SYLI,volume 195))

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Abstract

Before we tackle our main theme, let us remember some ideas of Plato and Aristotle. Perhaps not Newton, but certainly Goethe was well aware of a historical continuity ever since antiquity. The Third Part of his Theory of Colours - in the German original “Die Farbenlehre” - is devoted to its history because, as Goethe explains in the Preface of the work, he thinks “that the history of science is science itself”, - “daß die Geschichte der Wissenschaft die Wissenschaft selbst sei.”1

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Notes

  1. Koelbing ,Das Problem der visuellen Wahrnehmung in der Antike, im Mittelalter und in der Renaissance, Fortschr. Ophthalmol., 80 (1983), 11–14.

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  2. Schramm, Matthias ,Zur Entwicklung der physiologischen Optik in der arabischen Literatur, Sudhoffs Archiv 43 (1959), 288–316. My translation.

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  3. Helmholtz, Hermann von; Handb. der physiolog. Optik, 3. Aufl., vol. 2 ,Hamburg/Leipzig 1911, p. 96.

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  4. Heisenberg ,Werner ,Das Naturbild Goethes und die technischnaturwissenschaftliche Welt, in: Die Grossen der Weltgeschichte, vol. 7, Zürich 1976, p. 66–73.

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  5. Wolfgang Jaeger ,Goethes Untersuchungen an Farbenblinden, in Heidelberger Jahrbücher 23 (1979), 27–38.

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© 1988 D. Reidel Publishing Company

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Koelbing, H.M. (1988). Newton’s and Goethe’s Colour Theories — Contradictory or Complementary Approaches?. In: Batens, D., Van Bendegem, J.P. (eds) Theory and Experiment. Synthese Library, vol 195. Springer, Dordrecht. https://doi.org/10.1007/978-94-009-2875-6_12

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  • DOI: https://doi.org/10.1007/978-94-009-2875-6_12

  • Publisher Name: Springer, Dordrecht

  • Print ISBN: 978-94-010-7794-1

  • Online ISBN: 978-94-009-2875-6

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