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Creative Music Culture Through Vernacular Songs for Education by Different Generations of Hong Kong Composer–Educators

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Creative Arts in Education and Culture

Part of the book series: Landscapes: the Arts, Aesthetics, and Education ((LAAE,volume 13))

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Abstract

Hong Kong has a uniquely creative music culture which has been cultivated and developed by Hong Kong composers-educators throughout the past few decades. This chapter examines the development of vernacular songs for education through different generations of Hong Kong composers, which contributes to a creative music culture. The research is based on analysis of selected choral compositions. It traces the stylistic changes of Cantonese songs for education by different generations of Hong Kong composers, identify the creative elements in both music and speech from the selected works, and identify the cultural significance of the selected works through the use of the Cantonese dialect, the content of the lyrics, the musical styles, and the creative elements of the selected works. It is concluded that lyrics of vernacular songs for education by local composers correspond closely to the Cantonese tones. Different types of lyrics for education are represented: moral values, encouragement, Hong Kong characters, and just for fun. Both forms of lyrical writing, formal Mandarin and vernacular Cantonese, are used in the Cantonese songs. While formal writing is used for both serious and fun songs, vernacular writing seems to be used exclusively for fun songs.

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Notes

  1. 1.

    See www.hkcg.org

  2. 2.

    See http://www.hkcchoir.org.hk/catalog/tc/

  3. 3.

    Small (1998) “To music is to take part, in any capacity, in a musical performance, whether by performing, by listening, by rehearsing or practicing, by providing material for performance (what is called composing), or by dancing. We might at times even extend its meaning to what the person is doing who takes the tickets at the door or the hefty men who shift the piano and the drums or the roadies who set up the instruments and carry out the sound checks or the cleaners who clean up after everyone else has gone. They, too, are all contributing to the nature of the event that is a musical performance.” Prelude p. 9

  4. 4.

    Ramsey, p. 99.

  5. 5.

    Ramsey, p. 98.

References

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Correspondence to Sheung Ping Lai .

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Lai, S.P. (2013). Creative Music Culture Through Vernacular Songs for Education by Different Generations of Hong Kong Composer–Educators. In: Leong, S., Leung, B. (eds) Creative Arts in Education and Culture. Landscapes: the Arts, Aesthetics, and Education, vol 13. Springer, Dordrecht. https://doi.org/10.1007/978-94-007-7729-3_15

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