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Commentary on Leddington

  • Matt NuddsEmail author
Chapter
Part of the Studies in Brain and Mind book series (SIBM, volume 6)

Abstract

Sounds are the objects of auditory experience. They are the individual things that we can attend to in auditory experience. These objects of auditory experience instantiate the acoustic properties of pitch, loudness, and timbre. They appear to be individual things in which these acoustic properties inhere. They do not appear to be properties of material objects in the way that, say, colours appear to be properties of material objects (I say more about this below); nor do they appear to be parts of material objects.

Keywords

Sound Source Perceptual Experience Visual Experience Material Object Acoustic Property 
These keywords were added by machine and not by the authors. This process is experimental and the keywords may be updated as the learning algorithm improves.

References

  1. Heidegger, Martin. 1935 [1977]. The origin of the work of art. In Martin Heidegger: Basic writings, ed. and trans. D. Farrell Krell. New York: Harper and Row.Google Scholar
  2. Hume, David. 1751 [1999]. An enquiry concerning human understanding, ed. Tom L. Beauchamp. Oxford: Oxford University Press.Google Scholar
  3. Lycan, William G. 1996. Consciousness and experience. Cambridge, MA: MIT Press.Google Scholar
  4. O’Callaghan, Casey. 2007. Sounds: A philosophical theory. Oxford: Oxford University Press.Google Scholar
  5. Scruton, Roger. 2009. Sounds as secondary objects and pure events. In Sounds and perception, ed. Matthew Nudds and Casey O’Callaghan. Oxford: Oxford University Press.Google Scholar

Copyright information

© Springer Science+Business Media Dordrecht 2014

Authors and Affiliations

  1. 1.Department of PhilosophyUniversity of WarwickCoventryUK

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