Abstract
Most of us have an intuitive understanding of the ontology of artifacts – we have a grasp of what an artifact is. An archetypal technical artifact consists of some tangible physical stuff that someone has modified to make it useful for some practical purpose – such as when wood and metal are treated and shaped to make a hoe, or when a piece of plastic is molded to make a canoe. I believe that this intuitive understanding is neatly captured by the following definition of (technical) artifacts proposed by Peter Kroes and Anthonie Meijers: They are “(i) designed physical structures, which realize (ii) functions, which refer to human intentionality” (Kroes and Meijers 2006, p. 2).
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- 1.
As developed in Naess (1989), Ch. 4.
- 2.
Leopold reuses large parts of the 1933 text in “The Land Ethic.” He had been thinking and writing about some of the issues covered in the essays long before that, in unpublished work. See, e.g. Norton (1996).
- 3.
- 4.
For a discussion, see Preston (2008).
- 5.
Malfunctioning is itself a difficult notion, which bears upon the understanding of the nature of artefacts, including the issue of how to individuate them. I will not go into this discussion here, however. See, e.g., Franssen (2006, p. 46f).
- 6.
- 7.
http://www.ilhoon.com/main.html (accessed February 8th 2011).
- 8.
- 9.
Sylvan ([1973] 2009). Richard Sylvan was known as Richard Routley when the original paper appeared in 1973. He has published under both names.
- 10.
For an analysis of living artefacts, see also Siipi (2003).
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Sandin, P. (2013). Naturalness, Artefacts, and Value. In: de Vries, M., Hansson, S., Meijers, A. (eds) Norms in Technology. Philosophy of Engineering and Technology, vol 9. Springer, Dordrecht. https://doi.org/10.1007/978-94-007-5243-6_13
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