Skip to main content

Japanese Composers and Wind Band Repertoire

  • Chapter
  • First Online:
Wind Bands and Cultural Identity in Japanese Schools

Part of the book series: Landscapes: the Arts, Aesthetics, and Education ((LAAE,volume 9))

Abstract

On several occasions I asked Ishikawa Middle School students about their opinions of the music that the band played and how the repertoire was chosen. They indicated that all of the music was chosen by Kato Sensei without their input. Seeking confirmation, I asked Kato Sensei how musical selections were chosen for the band.

親の心子知らず

Oyano kokoro ko shirazu

“A child knows not its parent’s love”

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 84.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 109.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

  • Adachi, T. (2002a). ‘Rapsodia’ for band. In Full scores: 2002 required pieces for All-Japan Band Association competition. Tokyo: All-Japan Band Association.

    Google Scholar 

  • Adachi, T. (2002b). ‘Rapsodia’ for band. In All Japan 2002 Band competition, volume 2, Middle school division CD recording. Location: Recorded live at Fumon Hall. Victor Entertainment, Inc., Japan.

    Google Scholar 

  • Blum, S. (1994). Conclusion: Music in an age of cultural confrontation. In M. J. Kartomi & S. Blum (Eds.), Music cultures in contact: Convergences and collisions (pp. 255–277). Basel: Gordon and Breach.

    Google Scholar 

  • Donahue, R. T. (2002). Guideposts for exploring Japaneseness. In R. T. Donahue (Ed.), Exploring Japaneseness: On Japanese enactments of culture and consciousness (pp. 3–28). Westport, CT: Greenwood Publishing.

    Google Scholar 

  • Gladwell, M. (2007). Blink: The power of thinking without thinking. Boston: Back Bay Books.

    Google Scholar 

  • Groemer, G. (2004). The rise of ‘Japanese music’. The World of Music, 46(2), 9–33.

    Google Scholar 

  • Hebert, D. G. (2001b). Hoshina and Ito: Japanese wind band composers. Journal of Band Research, 37(1), 61–77.

    Google Scholar 

  • Koh, C. S. (2002a). Lament for wind orchestra. In Full scores: 2002 required pieces for All-Japan Band Association competition. Tokyo: All-Japan Band Association.

    Google Scholar 

  • Koh, C. S. (2002b). Lament for wind orchestra. In All Japan 2002 band competition, volume 4, Middle school division CD recording. Location: Recorded live at Fumon Hall. Victor Entertainment, Inc., Japan.

    Google Scholar 

  • Kyo-En. (n.d.). Kyo-En. Retrieved January 9, 2007, from http://www.ne.jp/asahi/21c/wind-1/

  • Kyo-En 21st Century Wind Music Executive Committee. (n.d.). Organizational philosophy. Retrieved January 9, 2007, from http://www.asahi-net.or.jp/~MJ2T-IIJM/english/Executive/21C02.htm

  • Mathews, G. (2004). Fence, flavor, and phantasm: Japanese musicians and the meaning of ‘Japaneseness.’ Japanese Studies, 24(3), 335–350.

    Article  Google Scholar 

  • Matsunobu, K. (2007). Japanese spirituality and music practice: Art as self-cultivation. In L. Bresler (Ed.), International handbook of research in arts education (pp. 1425–1438). Dordrecht: Springer.

    Chapter  Google Scholar 

  • Neidig, K. L. (1978). School bands in Japan. The Instrumentalist, 33(3), 36.

    Google Scholar 

  • Saito, H. (1988). The Saito conducting method (W. J. Toews, Trans.). Tokyo: Ongakuno Tomosha and Min-On Concert Association.

    Google Scholar 

  • Stephens, C. S. (2008). Japanese popular music: Culture, authenticity, and power. London: Routledge.

    Google Scholar 

  • Tanaka, K. (1998). Denshigakki Sangyoron [A history of the electronic musical instrument industry]. Tokyo: Kobunsha.

    Google Scholar 

  • Yamaha Symphonic Band. (n.d.). Concert reports. Retrieved January 9, 2007, from http://www.yamaha.co.jp/english/corporation/symphonicband/report/index.html#070318

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to David G. Hebert Ph.D. .

Rights and permissions

Reprints and permissions

Copyright information

© 2012 Springer Science+Business Media B.V.

About this chapter

Cite this chapter

Hebert, D.G. (2012). Japanese Composers and Wind Band Repertoire. In: Wind Bands and Cultural Identity in Japanese Schools. Landscapes: the Arts, Aesthetics, and Education, vol 9. Springer, Dordrecht. https://doi.org/10.1007/978-94-007-2178-4_9

Download citation

Publish with us

Policies and ethics