Skip to main content

Intention, Authorship and Artistic Realism

  • Chapter
  • First Online:
Book cover Artistic Judgement

Part of the book series: Philosophical Studies Series ((PSSP,volume 115))

  • 659 Accesses

Abstract

This chapter explores three overlapping topics concerning artistic properties: their intentional character, and the role of their histories of production, and of their response-reliance, in our understanding of them. For, as we saw (Section 2.1), meaning has conceptual connections to intending. And artistic properties bring with them (artistic) meaning. This enquiry grants methodological points made previously. In particular, the defeasible character of any claims made is recognized, and that they are not exceptionless, and cohere with our occasion-sensitive account of meaning and truth, in applying to this work, in this context, with this question asked or at issue.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 84.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Softcover Book
USD 109.99
Price excludes VAT (USA)
  • Compact, lightweight edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info
Hardcover Book
USD 109.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

References

  • Adams, T. (2003) “Saatchi’s Open House”, The Observer Review, 23rd March: 1–2.

    Google Scholar 

  • Alvarez, A. (1963) The Shaping Spirit. London: Arrow Books.

    Google Scholar 

  • Alvarez, A. (1971) The Savage God. London: Heinemann.

    Google Scholar 

  • Austin, J. L. (1962) Sense and Sensibilia. Oxford: Clarendon Press.

    Google Scholar 

  • Baker, G. & Morris, K. (1996) Descartes’ Dualism. London: Routledge.

    Google Scholar 

  • Bambrough, R. (1962) “Plato’s Modern Friends and Enemies”, Philosophy, XXXVII: 97–113.

    Article  Google Scholar 

  • Bambrough, R. (1969) Reason, Truth and God. London: Methuen.

    Google Scholar 

  • Beardsley, M. (1958) Aesthetics: Problems in the Philosophy of Criticism. New York, NY: Harcourt, Brace.

    Google Scholar 

  • Beardsley, M. (1970) The Possibility of Criticism. Detroit: Wayne State University Press.

    Google Scholar 

  • Beardsmore, M. (1971) Art and Morality. London: Macmillan.

    Google Scholar 

  • Best, D. (1987) Philosophy and Human Movement. London: George Allen & Unwin.

    Google Scholar 

  • Borges, J. L. (1962) “Pierre Menard, Author of Don Quixote” in J. L. Borges (ed.) Fictions. [trans. A. Kerrigan]. New York, NY: Grove Press: 42–51.

    Google Scholar 

  • Carroll, N. (1998b) “The End of Art?”, History and Theory, 37, 4: 17–29.

    Article  Google Scholar 

  • Carroll, N. (2001) Beyond Aesthetics. Cambridge: Cambridge University Press.

    Book  Google Scholar 

  • Carroll, N. (2009) On Criticism. London: Routledge.

    Google Scholar 

  • Cavell, S. (1969) Must We Mean What We Say? New York, NY: Scribners.

    Google Scholar 

  • Cioffi, F. (1965) “Intention and Interpretation in Criticism” in C. Barrett (ed.) Collected Papers on Aesthetics. Oxford: Blackwell: 161–183.

    Google Scholar 

  • Cumming, L. (2003a) “Hardly a Home Fit for Heroes”, The Observer Review, 13th April: 12.

    Google Scholar 

  • Cumming, L. (2003b) “Natal Attraction”, The Observer Review, 23rd March: 10.

    Google Scholar 

  • Dancy, J. (2004) Ethics Without Principles. Oxford: Clarendon Press.

    Book  Google Scholar 

  • Danto, A. (1987) “Approaching the End of Art” in A. Danto (ed.) The State of the Art. New York, NY: Prentice-Hall: 202–218.

    Google Scholar 

  • Danto, A. (2000) “Art and Meaning” in N. Carroll (ed.) Theories of Art Today. Madison, WI: University of Wisconsin Press: 130–140.

    Google Scholar 

  • Davies, S. (2007) Philosophical Perspectives on Art. Oxford: Oxford University Press.

    Book  Google Scholar 

  • Dummett, M. (2006) Thought and Reality. Oxford: Clarendon Press.

    Book  Google Scholar 

  • Durrell, L. (1952) A Key to Modern Poetry. London: Peter Nevill: [American edition: (1952) A Key to Modern British Poetry. Norman: University of Oklahoma Press].

    Google Scholar 

  • Dworkin, R. (1986) Law’s Empire. Cambridge, MA: Belknap/Harvard University Press.

    Google Scholar 

  • Dworkin, R. (1996) Freedom’s Law: The Moral Reading of the American Constitution. Cambridge, MA: Harvard University Press.

    Google Scholar 

  • Eaton, M. (2001) Merit, Aesthetic and Ethical. Oxford: Oxford University Press.

    Google Scholar 

  • Foot, P. (2002) Moral Dilemmas. Oxford: Clarendon Press.

    Book  Google Scholar 

  • Foster, S. L. (1986) Reading Dancing. Berkley: University of California Press.

    Google Scholar 

  • Goodman, N. (1968) Languages of Art. Indianapolis, NY: Bobbs-Merrill.

    Google Scholar 

  • Greeves, S. (2003) “Ron Mueck: A Redefinition of Realism.” in Ron Mueck. London: National Gallery: 43–62.

    Google Scholar 

  • Hirsch, E. D. (1966) Validity in Interpretation. New Haven: Yale University Press.

    Google Scholar 

  • Kristeller, P. O. (1965) “The Modern System of the Arts” in P. O. Kristeller (ed.) Renaissance Thougfht II: Papers on Humanism and the Arts. New York, NY: Harper and Row: 163–227.

    Google Scholar 

  • Levinson, J. (1996) The Pleasures of Aesthetics: Philosophical Essays. Ithaca, NY: Cornell University Press.

    Google Scholar 

  • Levinson, J. (2002) “Hypothetical Intentionalism: Statement, Objections and Replies” in M. Krausz (ed.) Is There a Single Right Interpretation? University Park, PN: University of Pennsylvania Press: 309–318.

    Google Scholar 

  • Levinson, J. (2006) Contemplating Art. Oxford: Clarendon.

    Book  Google Scholar 

  • Levinson, J. (2010) “Defending Hypothetical Intentionalism”, British Journal of Aesthetics, 50, 2: 139–150.

    Article  Google Scholar 

  • Lyas, C. (1992) “Criticism and Interpretation” in O. Hanfling (ed.) Philosophical Aesthetics: An Introduction. Oxford: Blackwel/Open University: 381–403.

    Google Scholar 

  • Lyas, C. (1997) Aesthetics. London: UCL Press.

    Book  Google Scholar 

  • Lyas, C. (2000) “Sibley” in B. Gaut & D. Lopes (eds.) The Routledge Companion to Aesthetics. London: Routledge: 131–141.

    Google Scholar 

  • Mackie, J. (1977) Ethics—Inventing Right and Wrong. Harmondsworth: Penguin.

    Google Scholar 

  • Mackrell, J. (1997) Reading Dance. London: Michael Joseph.

    Google Scholar 

  • McDowell, J. (1994) Mind and World. Cambridge, MA: Harvard University Press.

    Google Scholar 

  • McDowell, J. (1998) Mind, Value and Reality. Cambridge, MA: Harvard University Press.

    Google Scholar 

  • McFee, G. (1990) “Davies’ Replies: A Response”, Grazer Philosophische Studien, 38: 177–184.

    Google Scholar 

  • McFee, G. (2005b) “Art, Understanding and Historical Character: A Contribution to Analytic Aesthetics’ in K. Mey (ed.) Art in the Making: Aesthetics, Historicity and Practice. New York, NY: Peter Lang: 71–93.

    Google Scholar 

  • McFee, G. (2010b) “Defending ‘the Artist’s Theory’: Wollheim’s Lost Idea Regained?”, Estetika, XLVII , New Series III, 1: 3–26.

    Google Scholar 

  • Mothersill, M. (1984) Beauty Restored. Oxford: Clarendon Press.

    Google Scholar 

  • Raine, C. (1998) “To the Life”, Modern Painters, 11, 3, Autumn: 20–23.

    Google Scholar 

  • Reid, T. [1785] (1997) An Inquiry into the Human Mind on the Principles of Common Sense (Fourth Edition). D. R. Brookes (ed.). Edinburgh: University of Edinburgh Press.

    Google Scholar 

  • Reid, T. [1815] (2002) Essays on the Intellectual Powers of Man. D. R. Brookes (ed.). Edinburgh: University of Edinburgh Press.

    Google Scholar 

  • Richards, I. A. (1924) Principles of Literary Criticism. London: Routledge & Kegan Paul.

    Book  Google Scholar 

  • Scruton, R. (1997) The Aesthetics of Music. Oxford: Clarendon Press.

    Google Scholar 

  • Sharpe, R. A. (2000) Music and Humanism: An Essay in the Aesthetics of Music. Oxford: Clarendon.

    Google Scholar 

  • Shusterman, R. (1984) The Object of Literary Criticism. Amsterdam: Rodopi.

    Google Scholar 

  • Sibley, F. (2001) Approaches to Aesthetics: Collected Papers on Philosophical Aesthetics. Oxford: Clarendon.

    Google Scholar 

  • Smith, C. S. (2003) Forward” to Ron Mueck. London: National Gallery: 9.

    Google Scholar 

  • Sparshott, F. (1963) The Structure of Aesthetics. Toronto, ON: University of Toronto Press.

    Google Scholar 

  • Sparshott, F. (1982) The Theory of the Arts. Princeton, NJ: Princeton University Press.

    Google Scholar 

  • Travis, C. (2004a) “The Limits of Empiricism”, Proceedings of the Aristotelian Society, CIV: 245–270.

    Google Scholar 

  • Travis, C. (2004b) “The Silence of the Senses”, Mind, 113: 57–94.

    Article  Google Scholar 

  • Urmson, J. O. (1976) “The Performing Arts” in H. D. Lewis (ed.) Contemporary British Philosophy (Fourth Series). London: Allen & Unwin: 239–252.

    Google Scholar 

  • Warberton, N. (2003) The Art Question. London: Routledge.

    Google Scholar 

  • Wiggins, C. (2003) “Ron Mueck at the National Gallery” in Ron Mueck. London: National Gallery: 19–41.

    Google Scholar 

  • Wimsatt, W. K. & Beardsley, M. (1962) “The Intentional Fallacy” in J. Margolis (ed.) Philosophy Looks at the Arts. New York, NY: Scribners: 91–105.

    Google Scholar 

  • Wisdom, J. (1953) Philosophy and Psycho-Analysis. Oxford: Blackwell.

    Google Scholar 

  • Wollheim, R. (1973) On Art and the Mind. Harmondsworth: Allen Lane.

    Google Scholar 

  • Wollheim, R. (1978) “Are the Criteria of Identity that Hold for a Work of Art in the Different Arts Aesthetically Relevant?”, Ratio, 20, 1, June: 29–48.

    Google Scholar 

  • Wollheim, R. (1980) Art and Its Objects (Second Edition). Cambridge: Cambridge University Press.

    Google Scholar 

  • Wollheim, R. (1986) “Imagination and Pictorial Understanding”, Proceedings of the Aristotelian Society Supplementary Volume, 40: 45–60.

    Google Scholar 

  • Wollheim, R. (1987) Painting as an Art. London: Thames and Hudson.

    Google Scholar 

  • Wollheim, R. (1993a) The Mind and Its Depths. Cambridge, MA: Harvard University Press.

    Google Scholar 

  • Wollheim, R. (2001) “On Pictorial Representation” in R. Van Gerwen (ed.) Richard Wollheim on the Art of Painting. Cambridge: Cambridge University Press: 13–27.

    Google Scholar 

  • Wright, C. (1992) Truth and Objectivity. Cambridge, MA: Harvard University Press.

    Google Scholar 

  • Wright, C. (2003) Saving the Differences. Cambridge, MA: Harvard University Press.

    Google Scholar 

  • Zangwill, N. (2001) The Metaphysics of Beauty. Ithaca, NY: Cornell University Press.

    Google Scholar 

Download references

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Graham McFee .

Rights and permissions

Reprints and permissions

Copyright information

© 2011 Springer Science+Business Media B.V.

About this chapter

Cite this chapter

McFee, G. (2011). Intention, Authorship and Artistic Realism. In: Artistic Judgement. Philosophical Studies Series, vol 115. Springer, Dordrecht. https://doi.org/10.1007/978-94-007-0031-4_4

Download citation

Publish with us

Policies and ethics