Abstract
The Beaux Arts architecture of late nineteenth century, a style that embodied the idea that a building should represent its function in all aspects of its design, incorporated murals as an integral part of this message. Courthouses built in this style were filled with visual images containing messages about law and the ideals of the society that the courthouse served. Much of the visual art in courthouses was meant to instruct the populace in history and civic virtue. The most common image in the courthouse, after the ubiquitous judicial portraits, is Justice, but she is accompanied by an array of other allegorical figures (Prudence, Temperance, Rectitude, and Prosperity, among others) that few of us recognize without a helpful label. One is struck today by the frequency of depictions of the Native Americans, a subject that has faded almost completely from our popular culture though it was pervasive at the time the works were created. These murals provide us with a compelling narrative of the community’s collective memory of the indigenous peoples as they disappeared from the land and pass the land to the current inhabitants (with little of the unpleasantness that accompanied that transfer). The visual art in the courthouse contains multiple messages about the place of law in the community and the place of community in the law.
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Notes
- 1.
In the course of this study, I have visited more than 250 courthouses in 30 states.
- 2.
Richard Pare (1978), Court House: A Photographic Document. For more than half the states, there is a book detailing the history and architecture of the courthouses of its counties, e.g., L. Roger Turner and Marv Balousek (1998), Wisconsin’s Historic Courthouses, Ray Graves (2002), Washington’s Historic Courthouses, and Susan W. Thrane (2000), County Courthouses of Ohio.
- 3.
Placing art in front of the courthouse today is almost certain to invite discord. In Minneapolis, Minnesota, Martha Schwartz installed tear-shaped earth mounds planted with native species to suggest a field of glacial drumlins in the plaza in front of the new US Courthouse. Critics claimed they were too lumpy and looked like Indian burial mounds. Silver-stained log benches meant to evoke the heritage of the state’s lumber industry were unpopular as well.
- 4.
For example, Luzerne County, Pennsylvania, commissioned works for its four courtrooms by the most famous muralist of the time: Edwin H. Blashfield, Will H. Low, Kenyon Cox, and William I. Smedley. See http://www.luzernecounty.org/living/history_of_luzerne_county/luzerne_county_courthouse_history.
- 5.
The old courthouse in Cumberland County, Pennsylvania, has two judicial portraits from Colonial times hanging in the courtroom balcony. They are probably the first two county judges, Thomas Smith and James Hamilton.
- 6.
Reference Chart: Virginia County Courthouse Interiors. Colonial Williamsburg Foundation Library Research Reports Series – 241 (1990).
- 7.
For a poetic take on this, see Billy Collins (1999, 13), Questions About Angels, “The Death of Allegory,” (University of Pittsburgh Press).
- 8.
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Fox, J.R. (2014). Visual Art in American Courthouses. In: Wagner, A., Sherwin, R. (eds) Law, Culture and Visual Studies. Springer, Dordrecht. https://doi.org/10.1007/978-90-481-9322-6_27
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