Abstract
As a painter and printmaker, I am compelled by Biblical narrative that I express in a contemporary idiom. I often work with images of pilgrimage, lamentation, betrayal and absolution. Such archetypal themes flesh out parable and reveal to me the ancient stories, once again reborn, in our world of dissonance and division. These sacred stories, in their mythic and consuming drama, are forever played out in our most inward journeys. The moment of crucifixion or transfiguration is not ancient history, but reenacted anew within each soul in its own way. Through the work of my hands I am petitioning an otherness. The creative act becomes an Opus Cordis, a work of the heart. A dialogue begins.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2010 Springer Science+Business Media B.V.
About this chapter
Cite this chapter
Pierce, C. (2010). Opus Cordis: Reflections of a Contemporary Artist Embracing the Drama of Religious Imagery. In: Coohill, P. (eds) Art Inspiring Transmutations of Life. Analecta Husserliana, vol 106. Springer, Dordrecht. https://doi.org/10.1007/978-90-481-9160-4_12
Download citation
DOI: https://doi.org/10.1007/978-90-481-9160-4_12
Published:
Publisher Name: Springer, Dordrecht
Print ISBN: 978-90-481-9159-8
Online ISBN: 978-90-481-9160-4
eBook Packages: Humanities, Social Sciences and LawPhilosophy and Religion (R0)