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Placing Curriculum in Music

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Music Education for Changing Times

Part of the book series: Landscapes: the Arts, Aesthetics, and Education ((LAAE,volume 7))

Abstract

One of the purposes of The MayDay Group is to engage music educators and others in examination, critique, and reconceptualization of music education practices, including matters of curriculum. Generally, the word “curriculum” implies a course of study or the elements of a subject or domain. Study of curriculum may include analyses of the ways in which programs of study are constructed, examinations of goals, and interrogations of why and how curricular decisions are made. The MayDay Group, in its statement of action ideals, moves the conversation about curriculum toward consideration of social contexts, examination of institutional priorities, and critique of standards documents, among other concerns. The signatories of the original MayDay Group “action ideals” advise that curriculum “must be guided by a sound philosophical process,” which “should precede considerations of teaching and research techniques, methods, materials and assessment” (MayDay Group 1997, pp. xxxi–xxxvii, this volume).

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Correspondence to Sandra L. Stauffer .

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Stauffer, S.L. (2009). Placing Curriculum in Music. In: Regelski, T., Gates, J. (eds) Music Education for Changing Times. Landscapes: the Arts, Aesthetics, and Education, vol 7. Springer, Dordrecht. https://doi.org/10.1007/978-90-481-2700-9_14

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