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Vero come la finzione pp 3–14Cite as

Emozione e comprensione cinematografica

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Del rapporto tra cinema e sogno e cinema e immaginazione si è scritto molto. (1980) ha indicato tre grandi differenze che il film presenta rispetto al sogno: la consapevolezza del soggetto rispetto a quello che sta per fare, la presenza di un materiale percettivo reale, e infine il testo molto più logico e costruito. Metz rileva che ci capita raramente di ritrovare davanti a un racconto filmico quell’impressione di assurdità autentica comunemente provata davanti al ricordo dei nostri sogni. Se infatti il contenuto manifesto di un sogno fosse riportato pari pari sullo schermo, darebbe luogo a un film realmente inintelligibile.

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Authors and Affiliations

  1. Sezione di Psicologia Generale e Clinica Facoltà di Medicina e Chirurgia, Università degli Studi di Ferrara, Ferrara

    Stefano Caracciolo

  2. Dipartimento di Patologia e Medicina SC Cattedra di Psichiatria, Università degli Studi di Udine, Udine

    Matteo Balestrieri

Authors
  1. Stefano Caracciolo
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  2. Matteo Balestrieri
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Caracciolo, S., Balestrieri, M. (2010). Emozione e comprensione cinematografica. In: Vero come la finzione. Springer, Milano. https://doi.org/10.1007/978-88-470-1549-4_1

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  • DOI: https://doi.org/10.1007/978-88-470-1549-4_1

  • Publisher Name: Springer, Milano

  • Print ISBN: 978-88-470-1539-5

  • Online ISBN: 978-88-470-1549-4

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