Abstract
This essay explores how Tagore questions the terms in which we understand both the contestations and interchanges between ‘East’ and ‘West’: he does this by drawing our attention to specific literary instances, notably certain works by Kalidasa. The essay argues that Tagore’s ‘nature’ is not innocent, but a live political instrument; and Tagore’s politics has to do with the liberating aspects of humanism, aesthetics and experiencing the world. Tagore claims there was a shift in the English view on nature, as exemplified by the work of the Romantic poets; here, Tagore is making a larger polemical point about the global provenances of Romanticism and, by implication, of modernism. By contrasting this shift with colonialism’s classic drive to dominate and exploit nature, Tagore participates in the ongoing revisionary enterprise within the discourse of post-Enlightenment modernity. But the participation is undertaken by Tagore from an ‘Indian’ vantage-point, a cross-cultural contribution forming part of the hybrid inception and continuance of the Enlightenment.
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Chaudhuri, A. (2015). Two Giant Brothers. In: Banerji, D. (eds) Rabindranath Tagore in the 21st Century. Sophia Studies in Cross-cultural Philosophy of Traditions and Cultures, vol 7. Springer, New Delhi. https://doi.org/10.1007/978-81-322-2038-1_4
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